Vojtech Sláma Art

David Levy created this vintage silver gelatin photograph in 1995. The image was taken in New Orleans, LA but not printed or editioned until 2010. It is signed in pencil, titled an...

Chris Smith (b.1937) Sparring silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the following si...

Savannah Spirit Waiting Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch: "When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since. To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection. The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there. Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning. Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture. During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..." - Katie Peyton Hofstadter Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...

Gelatin silver print Stamped and numbered, verso 14 x 11 inches, sheet (Edition of 15) 20 x 16 inches, sheet (Edition of 10) 24 x 20 inches, sheet (Edition of 10) From the series...

This fine art print features actress and model Jane March, posed topless on the rooftop of the Hotel Le Bristol in Paris in 1992. This risqué iconic b...

John Casado - Untitled 20249, figurative black and white female nude. 2002 - Unique lith silver gelatin photographic print. image = 22 3/4 x 18 3/4 or 57.8 x 47.6 centimeters / pa...

Savannah Spirit Waiting Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The A...

“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20...

Hand-signed & numbered by the artist. Gelatin silver print. Edition: 20/100. Sheet size 9.75 x 8 inches. Image size 7 x 4.75 inches. Custom framed as pictured. Frame size approx ...

Fabien Mara Stephanie Seymour and Linda Evangelista / Chanel, 1990 Silver gelatin print 40 x 60 cm Edition of 11 Signed, numbered, and dated Fa...

July 25, 1961. Singer Dean Martin and Sammy Davis, Jr. sit at a table as fellow singer and Rat Pack member Frank Sinatra pours Jack Daniels from a bottle at the Cocoanut Grove during...

John Casado - Untitled 20249, figurative black and white masked female nude. Reminiscent of old Hollywood siren and glamor. 2001 - Unique lith silver gelatin photographic print. ima...