Bruce Barry Art

Tête de Faune, Picasso, Unique work, 1960's, Terracotta, Tiles, Design, Sculptur Tête de faune Unique work 14.03.1961 Painted and glazed terracotta tile...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Visage noir Moucheté, Picasso, Plate, Portrait, Naif, Multiples, Earthenware Visage noir moucheté Ed. 39/200 pcs 1948 white earthenware clay, decoration in engobes under glaze 31 x ...

White and blue, glazed, ceramic piggy bank. With rubber stopper, contained in the original cardboard box.

Balloon Animals Set II (matching edition number) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition, Art Limoges po...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Corrida Scenes, Pablo Picasso, Set, Ceramics, Design, Art, Sculpture, Postwar Corrida Scenes of 8 pieces : Paseo, Pase de cape, Picador, Banderilleros, Pase de muleta, Cogida, Estoc...

Faune aux marottes, Picasso, 1950's, Earthenware, Unique work, 1950's, Design Faune aux marottes Unique work 1.12.1956 Earthenware, decoration with engobes and metallic oxides 15.1 ...

This set of Jeff Koons' Balloon Animals includes Balloon Rabbit, Balloon Monkey and Balloon Swan, made of highly reflective porcelain. Incorporating the...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

"Moon" from the famous Series "People", ceramic and acrylic on wood panel, D: 36 inches "Moon" is comprised of 10,000 handmade pigs. The work has many different topographical feature...

Created in 1947, this early Picasso ceramic is the second that artist ever produced. It is in wonderful condition and presented in a fine black wood fra...