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Abbott Fuller Graves Paintings

American, 1859-1936
Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism. Graves was born in Weymouth, Massachusetts, on April 15, 1859, the son of James Griswold Graves and Eliza Nicholls (Fuller). Hoping to become an architect, Graves attended the Massachusetts Institute of Technology but did not graduate. Graves went to Paris and Italy in 1884 to refine his skills as a flower painter. In Europe, he roomed with Edmund C. Tarbell. After returning to Boston in 1885, Graves became a teacher at the Cowles Art School, where his friend Childe Hassam was also on the faculty. The two painters undoubtedly influenced one another. In 1887, Graves returned to Paris to study figure painting at the Academie Julien. Graves returned to Boston in 1891, and lived in the coastal town of Kennebunkport, Maine, where he taught painting classes in oil and watercolor. He continued to visit there in later years, painting genre scenes featuring farmers, fishermen, firemen and old sea captains of Kennebunkport. Many of his portrayals of small-town life were reproduced on calendars and postcards. After 1891, the majority of Graves's works depict gardens and floral landscapes, some including female figures. Some portray exotic gardens of Spain and South America. In 1891, he opened his own art school in Boston. The school later moved to Kennebunk, Maine. From 1902 to 1905, Graves was employed as a commercial illustrator for magazines and studied at the Académie Vitti in Paris. After 1922, Graves spent his winters in New York City, where he belonged to such organizations as the National Academy of Design, the National Arts Club, the Salmagundi Club and Allied Artists of America. Examples of Graves’s work can be found in public and private collections across the country, including the Mead Art Museum at Amherst College, the Arnot Art Museum, Elmira, New York; the Brick Store Museum, Kennebunk, Maine; Ball State University Museum of Art, Muncie, Indiana; the Hermitage Foundation Museum, Norfolk, Virginia; and the Princeton University Art Museum, Princeton, New Jersey.
(Biography provided by Helicline Fine Art)
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Artist: Abbott Fuller Graves
Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater
By Abbott Fuller Graves
Located in Costa Mesa, CA
Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater Watercolor on Paper Circa 1903 15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed LR: Graves This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863. The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant). At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor. After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...
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Early 1900s American Realist Abbott Fuller Graves Paintings

Materials

Paper, Watercolor

Hollyhocks
By Abbott Fuller Graves
Located in Greenwich, CT
This museum quality and rare American Impressionist garden scene is in an exceptional gilt frame. The dimensions listed are for the item in total framed size. The canvas inside the...
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1920s Impressionist Abbott Fuller Graves Paintings

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Canvas, Oil

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Circus Wagons
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This watercolor is part of our exhibition America Coast to Coast: Artists of the 1930s Circus Wagons, 1927, watercolor on paper, signed and dated lower left, 10 x19 ¾ inches (sight), provenance includes Stary-Sheets Art Gallery (Gualala, CA); J. Ralph & Louis Stone Foundation; presented in a newer metal frame behind glazing About the Painting Millard Sheets was only twenty years old and in his third year of studies at the Chouinard Art Institute when he painted Circus Wagons. Despite his youth, Sheets was already an accomplished artist who had publicly exhibited his work and won prestigious prizes. Within several years, he would have his first solo exhibition at one of Los Angeles’ premiere galleries and become a painting instructor at his alma mater. In Circus Wagons we already see Sheets deft handling of the watercolor medium and his interest in the California Scene. In this case, Sheets captures a back lot view of a traveling circus, a subject he sometimes returned to, including in a color screen print in the collection of the National Gallery. Sheets made a career by painting what he knew and observed firsthand. This approach allowed Sheets to capture with authenticity the details of each narrative. Even with a narrowly limited palette and an economy of brushstrokes, Sheets effectively depicts the southern California scene with its strong and mysterious shadows, as well as the workers and circus animals. Seen through the hindsight of his six-decade long career, Circus Wagons offers a fascinating insight into the early development of California Scene painting which would by the mid-1930s become the best recognized style on the West Coast. About the Artist Millard Sheets was the dean of California watercolorists. His list of accomplishments is so extensive that his entry in Who was Who in American Art is over forty lines. Born in Pomona, California, Sheets became a painter at an early age, winning a prize at the Los Angeles County Fair in 1918. By the mid to late-1920s, Sheets became a regular at art exhibitions in the western part of the United States, winning several additional prizes before he reached the age of twenty-five. Sheets studied at the prestigious Chouinard Art Institute from 1925 through 1929 with Frank Tolles Chamberlin and Clarence Hinkle and had his first solo show with Los Angeles’ Dalzell Hatfield Gallery in 1929. During the 1930s, Sheets was invited to exhibit at almost every major American Museum and in many ways, his work came to represent the California watercolor school...
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Previously Available Items
"Sunny Doorway, New England" Abbott Fuller Graves, Maine, Massachusetts
By Abbott Fuller Graves
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Abbott Fuller Graves (1859 - 1936) Sunny Doorway, New England Oil on board 16 x 12 inches Signed lower left Housed in a period Newcomb-Macklin frame Provenance: The artist Mildred Moses, New Orleans, Louisiana (acquired from the above) Private Collection, by descent Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism. Graves was born in Weymouth, Massachusetts, on April 15, 1859, the son of James Griswold Graves and Eliza Nicholls (Fuller). Hoping to become an architect, Graves attended the Massachusetts Institute of Technology but did not graduate. Graves went to Paris and Italy in 1884 to refine his skills as a flower painter. In Europe, he roomed with Edmund C. Tarbell. After returning to Boston in 1885, Graves became a teacher at the Cowles Art School, where his friend Childe Hassam was also on the faculty. The two painters undoubtedly influenced one another. In 1887, Graves returned to Paris to study figure painting at the Academie Julien. Graves returned to Boston in 1891, and lived in the coastal town of Kennebunkport, Maine, where he taught painting classes in oil and watercolor. He continued to visit there in later years, painting genre scenes featuring farmers, fishermen, firemen and old sea captains of Kennebunkport. Many of his portrayals of small-town life were reproduced on calendars and postcards. After 1891, the majority of Graves's works depict gardens and floral landscapes, some including female figures. Some portray exotic gardens of Spain and South America. In 1891, he opened his own art school in Boston. The school later moved to Kennebunk, Maine. From 1902 to 1905, Graves was employed as a commercial illustrator for magazines and studied at the Académie Vitti in Paris. After 1922, Graves spent his winters in New York...
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Abbott Fuller Graves (1859 - 1936) Maine Dorie Fisherman Oil on canvas 14 x 20 inches Signed lower right: Abbott Graves Provenance: Vose Galleries, Boston Everett Thomas Kilbride Jr., Madison, Connecticut Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism. Graves was born in Weymouth, Massachusetts, on April 15, 1859, the son of James Griswold Graves and Eliza Nicholls (Fuller). Hoping to become an architect, Graves attended the Massachusetts Institute of Technology but did not graduate. Graves went to Paris and Italy in 1884 to refine his skills as a flower painter. In Europe, he roomed with Edmund C. Tarbell. After returning to Boston in 1885, Graves became a teacher at the Cowles Art School, where his friend Childe Hassam was also on the faculty. The two painters undoubtedly influenced one another. In 1887, Graves returned to Paris to study figure painting at the Academie Julien. Graves returned to Boston in 1891, and lived in the coastal town of Kennebunkport, Maine, where he taught painting classes in oil and watercolor. He continued to visit there in later years, painting genre scenes featuring farmers, fishermen, firemen and old sea captains...
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1890s American Impressionist Abbott Fuller Graves Paintings

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Canvas, Paint, Oil

Abbott Fuller Graves paintings for sale on 1stDibs.

Find a wide variety of authentic Abbott Fuller Graves paintings available for sale on 1stDibs. You can also browse by medium to find art by Abbott Fuller Graves in paint, oil paint, board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Impressionist style. Not every interior allows for large Abbott Fuller Graves paintings, so small editions measuring 19 inches across are available. Customers who are interested in this artist might also find the work of Charles Hargens, William Lester Stevens, and Frank Vincent Dumond. Abbott Fuller Graves paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $15,200 and tops out at $68,000, while the average work can sell for $21,000.

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