Unknown

France circa 1820, Portrait of a gentleman, black chalk and pastel drawing

circa 1820

Achille Devéria (1800-1857) A young woman seen in profile Black Chalk on paper with cut edges Bears the stamp of the Achille Deveria Estate Sale of 1...

Francois Grenier de Saint Martin (1793-1867) A Young Lady on the beach, 1829, signed and dated on the lower left watercolor on paper 17 x 19.5 cm F...

Alexandre Bida (1813-1895) A Young Woman in Profile Signed with the monogram lower right Pencil on grey-blue paper 17.7 x 11.5 cm Framed : 36.5 x 27 cm This drawing shows Bida's tec...

French School 19th Century, Portrait of a young soldier, dated 1830, Pencil and heightenings of white and red 26 x 19.7 cm oval view examined outside the frame, in good condition I...

German School 19th Century, Portrait of a boy, pencil on paper 25.7 x 16 cm (view) Framed : 41.8 x 31.5 cm The style and execution are v...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...

Pastel and conté crayon with partial foil star on Rives BFK paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in ...

Work on paper Brown wooden frame with glass pane 92 x 73 x 5 cm

Garibaldi is a wonderful colored original drawing (chalk, charcoal and oil pastels) by an anonymous artist in 1880. A superb drawing representing the Italian hero of the unification...

A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression. Artist Bio Ben Fenske (b. 1978) although a native of Minn...

Whimsical portrait drawing of a young man on circular paper in blue pastel and conte crayon Portrait is made on handmade Indian cotton paper 22 inch diameter About the work: In the face of a turbulent political and environmental crisis, the artists make their own appeal to change the future with a series of circular drawings on handmade paper in pastel and conte crayon. Panogolin Bonaparte and Medusa are among the drawings that illustrate the transformation of humans into animals, a fantasy of mankind’s integration with nature. These are presented as votive offerings to the Gods as a last attempt to bargain for a more hopeful future. About the artists: Nicholas Kahn and Richard Selesnick...

Circular portrait drawing in pastel and conte crayon of a beautiful Medusa Portrait is made on handmade Indian cotton paper 22 inch diameter Signed, verso About the work: In the face of a turbulent political and environmental crisis, the artists make their own appeal to change the future with a series of circular drawings on handmade paper in pastel and conte crayon. Panogolin Bonaparte and Medusa are among the drawings that illustrate the transformation of humans into animals, a fantasy of mankind’s integration with nature. These are presented as votive offerings to the Gods as a last attempt to bargain for a more hopeful future. About the artists: Nicholas Kahn and Richard Selesnick...