Gottfrid Olsson

Gottfrid Olsson, La Ciotat

1948

This decorative pair of late 19th-century French drawings depict a daybed and commode in the Rococo taste. Drawings of this nature were vital for furniture makers and those working ...

This early 19th-century English school portrait depicts a demure young lady wearing a white dress with puffy gigot sleeves and holding a guitar. During the late 18th century and ear...

This fine portrait by British artist William Moore (1790-1851) depicts a young man holding a book. He’s wearing a white shirt, black necktie, waistcoat and unbuttoned frock coat. During the...

This exquisite portrait by British artist William Moore (1790-1851) depicts a young lady wearing a beautiful white dress with gigot sleeves. It’s a gentl...

This beautiful mid-19th-century group portrait by British artist Frederick Cruickshank (1800-1868) depicts a father, mother and their two daughters within an interior setting. It’s a...

This beautiful portrait by British artist William Drummond (act.1800-1860) depicts two sisters within an interior. It’s a charming glimpse into the lives of these young women. Dress...

Signed lower right, 'Ruth Peabody' for Ruth Eaton Colburn Peabody (American, 1893-1966) and painted circa 1955. Born in Highland Park, Illinois, Ruth Peabody was taught to paint as a child by her mother, artist Elanor Colburn, and first studied sculpture at the Art Institute of Chicago. The two women moved to Laguna Beach, California, in 1924, and became active in the local art scene. At their studio, Peabody sculpted fountains and memorial plaques when not teaching, privately and at Laguna Beach High School. Over the course of a long career, Ruth Peabody exhibited widely and with success including at the Panama Pacific Exhibition (1915), Art Institute of Chicago, Oakland Art Gallery (1932)and the Pennsylvania Academy of Fine Arts (1931) and was the recipient of numerous prizes, medals and juried awards. In 1939, the Fine Arts Gallery of San Diego presented Peabody's abstract works in a solo exhibition, the first show of its kind by a regional artist. Her work is held in private and public collections including the San Diego Museum and Orange County Museum. Exhibitions: Panama Pacific Exhibition, 1915; Laguna Beach Art Association, 1925-52; County Fair (LA), 1925, 1931; California State Fair, 1926, 1936; West Coast Arts (LA), 1927; Biltmore Salon (LA), 1927; San Diego FA Gallery, 1929, 1931, 1937, 1939; Pennsylvania Academy of Fine Arts, 1931; California Art Club, 1927-32; Painters & Sculptors of LA, 1930-31; Pasadena Art Institute 1931; Olympiad, LACMA, 1932; Oakland Art Gallery, 1932; Whittier Art Gallery, 1934; Golden Gate International Exposition, 1939. Collections: Laguna Beach Art Gallery (fountain & medallion of Anna Hills...

By Virginia Conroy Dedini (American, 1922-2006). Titled lower left, 'Mitsuko ''Okaido Born''' and dated August 1976. Exhibited: Carmel Art Associati...

By Virginia Conroy Dedini (American, 1922-2006). Titled on exhibition label, 'Sheila' and created circa 1965. Exhibited: Pacific Grove Museum of Natu...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

Ernst Georg Heusser, Swiss painter with 60 auctions on the country. The oldest in 1991 ans the most recent on 2021 (1903-1982) The work is on paper and ...

A certain enigma surrounds Max Turner: he possesses both undeniable mastery and the humility of a great artist. Endowed with musicality and vibrancy in his brushwork, he remains a man of unassuming nature, far removed from the realm of trendy art galleries. His experience as an art instructor has sharpened his acuity for studying and capturing the essence of figure models, nurtured by his lifelong fascination with the human visage. In this gouache portrait, one can sense that with each stroke, he repeats a gesture as if it was the very first time, capturing that fleeting fraction of a second, an emotion, a secret of his subject to infuse into his canvases. One can feel the artist’s pleasure...