Harris Schrank Fine Prints

REMBRANDT HARMENSZ. VAN RIJN 1606 Leiden Amsterdam 1669 Death Appearing to a Wedded Couple from an Open Grave 1639 drypoint and etching; 109 x 78 mm Bartsch 109, White/Boon only s...

Charles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with engraving. Reference: Schneiderman 23, Delteil 28. Third state (of 10). On very thin Jap...

Martin Lewis (1881-1962, Break in the Thunderstorm, drypoint, 1930, signed and titled in pencil (also signed in the plate in a rectangle lower left). Reference: McCarron 86, second s...

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...

RAOUL DUFY (1877-1953) L’Amour, woodcut, 1910, signed and numbered 78/100 in pencil, lower right, from the first edition of 100, in good condition, full margins, 210×255 mm; 8 1/2×10...

William Kentridge (b. 1955), Flatiron Building, (also known as I Am Still Learning), drypoint, 1985, on Rives paper with their watermark, signed, dated and dedicated For Hermine from...

Martin Lewis (1881-1962), Little Penthouse, drypoint, 1931, signed in pencil lower right [signed in the plate in a rectangle lower left]. Reference: McCarron 91, only state. Printed ...

ANTONIO DA TRENTO (CIRCA 15101550) AFTER PARMIGIANINO (1503-1540),The Virgin and Child with Saint John the Baptist, chiaroscuro woodcut, printed fr...

ADRIAEN VAN OSTADE (1610-1685) The Anglers etching, circa 1647-53, on laid paper, without watermark, a very fine impression of the rare third/ fourth state (of seven), printing with a light plate tone, with traces of burr on the bridge and elsewhere and fine wiping marks, with narrow margins, in very good condition. References: Bartsch, Hollstein, Godefroy 26, plate 113 x 166 mm., sheet 116 x 169 mm. Provenance: Richard Fisher...

HENDRICK GOLTZIUS 1558 Mühlbracht – Haarlem 1617 Apollo 1588 engraving Bartsch 141; Hirschmann and Hollstein 131; Strauss 263 PROVENANCE Kar...

Charles Meryon (1821-1868), Pierre Nivelle, Bishop of Lucon (1584-1660), 1861, etching on tin, after an engraving by Michel Lasne (1590-1667). Reference: Schneiderman 76, (fifth stat...

GIULIO CAMPAGNOLA (CIRCA 1482-1516) AND DOMENICO CAMPAGNOLA (CIRCA 1500-1564) Shepherds in a Landscape engraving, circa 1515-1518, on laid paper, without watermark, a fine, richly tonal and atmospheric impression of this rare print, small to thread margins above and below, trimmed to the subject at left, the right edge of the subject skillfully made-up with pen and ink Sheet 140 x 260 mm. Provenance With R.M. Light & Co., Santa Barbara, California. Acquired from the above on 1 July 1982; then by descent to the present owner. The fascinating composition of this rare early engraving...