Philipp Aduatz Tables

The Hono stool started with our rediscovery of Shou Sugi Ban, an ancient Japanese burning technique that preserves wood through charring. Inspired by the me...

The original Backenzahn designed in 1996 by e15 founder and architect Philipp Mainzer is a modern design classic as well as an identifiable icon for e15. Crafted in Germany, the stoo...

The object Raw is a robust piece crafted from seasoned European oak, which is rarely available in such wide dimensions as used in this piece. Reduced to the essential features, the r...

A series of sophisticated tables with an uncompromising metallic surface. Available in brass and now black, the mirrored glass top and iron base result in a table that is both sturdy...

Collection of high tables, low tables and console, made in multi-layered and multichromatic glass, created by laminating five slabs of 5mm extra light glass each with a different col...

Spectacular 1986 goatskin console table with two drawers designed by Karl Springer. Constructed of wood covered with goatskin and finish with clear lacquer. Shows minor wear consis...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.
 As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture.

 The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms.
 Simplicity is not a lack of content – but  the synthesis of the complex.
 A balanced and simple composition conveys peace.

The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary.

 All hand-made in Mexico.
 All Mexican...

The Colonna stool is included in the Kartell goes Sottsass - A Tribute to Memphis collection, launched in 2015 in homage to the movement founded by desig...

The Colonna stool is included in the Kartell goes Sottsass - A Tribute to Memphis collection, launched in 2015 in homage to the movement founded by desig...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.
 As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture.

 The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms.
 Simplicity is not a lack of content – but  the synthesis of the complex.
 A balanced and simple composition conveys peace.

The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary.

 All hand-made in Mexico.
 All Mexican...

In the RIMA console by the Jalisco, Mexico–based studio Peca, classic and traditional lines are paired with the strength and elegance of marble. Combining...

The solid wood bedside table Max persuades with its simple design and perfectly fits into various environments. It combines well with the MO bed. Details: Made of 40 MM (1 5/8 IN...