Miller Opie

"Silent Whirlabout", wood, white oak, feather, browns, ivories, reds, sculpture

2019

Miller Opie’s “Whispering Dervish” is a gestural 13.5 x 5 x 4 inch White Oak wood sculpture with found feather details embedded into the wooden grain. It i...

Miller Opie’s “Whirled Laurel” is a gestural 14 x 16 x 6 inch Mountain Laurel wood sculpture with found feather details embedded into the wooden grain. It ...

Miller Opie’s “Twisting Reverie” is a gestural 23 x 5.75 x 5.75 inch Mountain Laurel wood sculpture with found feather details embedded into the wooden gra...

Miller Opie’s “Swishing Larkspur” is a gestural 27 x 6 x 6 inch White Oak wood sculpture with found feather details embedded into the wooden grain. It is t...

Leslie Zelamsky's "Point of Departure 8" is a 55.75 x 25 x 25 inch sculpture that is constructed with pine, cedar and paint. The piece consists of two ...

Leslie Zelamsky's "Point of Departure 7" is a 30.5 x 31.5 x 15 inch wood sculpture that was inspired by circa 1942 abandoned ammunition storage bunkers...

Here you will find an extraordinary and high quality lamp, which conjures a beautiful shadow pattern on the wall or ceiling. This ball lamp is delivered in lacquered rust optic, wit...

Inspired by the Shoulder Stand in Yoga, aka Sarvangasan, Curiá brings an abstraction to the pose as the figure's legs morph into a wooden boat. The figure has a beautiful green pati...

Processing Venice is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical exampl...

Sylvia Okwui Enwezor is a unique contemporary modern painting relief by renowned Polish-Dutch artist Eliza Kopec. This painting relief is a typical example of her preferred abstract ...

Sherry Owens Waterhole, 2017 Crepe myrtle, dye, paint, wax 24 x 36 x 36 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Reawakening the Spirit, 2019 Crepe myrtle, steel, milk paint, dye, oil, wax 108 1/2 x 36 x 31 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...