Items Similar to Mare - hunting horse by Josuë Dupon 1864-1935
Want more images or videos?
Request additional images or videos from the seller
Josuë DuponMare - hunting horse by Josuë Dupon 1864-1935
About the Item
A beautiful large bronze sculpture of a proud standing mare. Old sand cast created during the artist Josuë Dupon's lifetime.
Josuë Dupon (also Josué or Josue Dupon) was a Flemish sculptor and engraver. His work also includes painting and graphics.
He received his training through evening classes at the academy of Roeselare and Antwerp (1884) and later at the National Institute of Fine Arts (1887). In 1891, he won a gold medal with the monumental sculpture group Samson kills the lion and was runner-up in the Prix de Rome for sculpture. From that year on, his work appeared regularly in exhibitions at home and abroad. His reputation was such, that he became one of a select group of sculptors allowed by King Leopold II to carve statues in Ivory, which was imported from the Congo, the Belgian colony. In 1893 his exceptionally refined ivory statue of Diana was bought by the Antwerp Royal Museum of Fine Arts, which also acquired his spectacular bronze Vulture defending its prey a year later.
Working in every genre and mastering every technique and material, Josuë Dupon became best known as a sculptor of exotic animals. He was equally capable of faithfully expressing anatomical detail as of rendering the animals' nature. Josuë Dupon was a technically faultless realist, with a sense of the dramatic, a feeling for decorative complexity and a tendency towards idealizing. The placement of his camel driver and two bronze groups at the entrance to Antwerp Zoo confirmed this reputation as animalier.
The career that Dupon subsequently built, brought him numerous important awards and an appointment as professor at the Antwerp Academy, a tenure he held between 1905 and 1934. Besides animals, he sculpted busts, war memorials and public monuments. For one of the largest sculptural monuments and the largest fountain in the city of Buenos Aires, called Monument of the Two Congresses, he collaborated with his good friend, the Belgian sculptor Jules Lagae. Josuë Dupon created several statues of mighty condors for this monument.
At the start of his career his conception of art was strongly influenced by traditional 19th century artistic ideals. After the turn of the century his compositions and surface treatment changed and became more modern. He met Rembrandt Bugatti around 1905 or 1906 in the 'Jardin des Plantes' in Paris and invited him to Antwerp. Bugatti began travelling to Antwerp in 1906 to observe and sculpt the inhabitants of its zoo, which was then considered the best in the world, and Dupon allowed Bugatti to stay with him during several of his early visits. As such Dupon became a friend and a bit of a father figure to Rembrandt Bugatti.
Dupon did not play a very active part in artistic movements or associations. Dupon remains an important sculptor not only through his body of work but also because of the influence he exercised through interactions and collaboration with other sculptors such as Lagae, Bugatti and Bourdelle but also because he trained leading sculptors such as Albéric Collin (1886-1962), Willy Kreitz (1903-1982) and Albert Poels (1903-1984).
- Creator:Josuë Dupon
- Dimensions:Height: 20.48 in (52 cm)Width: 19.69 in (50 cm)Depth: 5.91 in (15 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Gent, BE
- Reference Number:1stDibs: LU2140213716232
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2018
1stDibs seller since 2022
Typical response time: 14 hours
- ShippingRetrieving quote...Ships From: Gent, Belgium
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- Italian Animal Bronze : Battling Rams by Sirio TofanariLocated in Gent, VOVA very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...Category
1930s Art Deco Figurative Sculptures
MaterialsMarble, Bronze
- Carpeaux etnic bronze : Le chinois (1868). N1 (scetch) Observatory fountainLocated in Gent, VOVJEAN-BAPTISTE CARPEAUX 1827 - 1875 Le Chinois N°1 (study for Asia) (1868). Model from the observatory fountain. Sketch Height ca.60 cm A similar copy auctioned on June 22, 2023, at ...Category
1860s Realist Figurative Sculptures
MaterialsBronze
- Sea Lion by Greta van Puyenbroeck (1943- )Located in Gent, VOVsea lion Artist: Greta van Puyenbroeck Dimensions: 22 h x 44 l x 30 cm w without base with base 29 x 33 x 38 cm Foundry: Artcasting Sign Greta Van Puyenbroeck was born in Antwerp in ...Category
20th Century Figurative Sculptures
MaterialsBronze
- A pair of ducks by Carl August Brasch.Located in Gent, VOVA very finely detailed and stylized bronze sculpture of a pair of ducks on a marble plinth. Signed C. Brasch. In terms of approach and style, this work is modern and somewhat reminis...Category
20th Century Figurative Sculptures
MaterialsMarble, Bronze
- Young Antelope by Sirio TofanariLocated in Gent, VOVA fine bronze cast of a young antelope or male deer licking its back, by Sirio Tofanari (1886-1969). An old model with degraded dark-brown patina and lighter brown tones. Signed Siri...Category
20th Century Figurative Sculptures
MaterialsBronze
- Akop GURDJAN (après) (1881-1948) Sitting Baboon BronzeLocated in Gent, VOVAkop GURDJAN (après)(1881-1948) Sitting Baboon Bronze Akop Gurdjan (1881-1948) Akop Gurdjan (also Hakob Gyurjyan) was born in Shusha (Nagorno Karabakh)...Category
19th Century Figurative Sculptures
MaterialsBronze
You May Also Like
- Surreal Figurative Sculpture, "Lovers"Located in San Diego, CAThis is a one of a kind original bronze surrealist figurative sculpture by San Diego artist, Debbie Korbel. Its dimensions are 41" x 42" x 34". A certifi...Category
2010s Surrealist Figurative Sculptures
MaterialsBronze
- Antique Italian Grand Tour Bronze Marble Bust Sculpture Dante Alighieri 1880Located in Portland, ORA good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...Category
Late 19th Century Italian School Figurative Sculptures
MaterialsMarble, Bronze
- WHITE HINGED POEM DRESS,By Lesley DillLocated in New York, NYLESLEY DILL WHITE HINGED POEM DRESS, 1994 patinated bronze 55 x 37 x 30 in. 139.7 x 94 x 76.2 cm. Edition of 4Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- Growing in a Fragmented LandscapeBy Jennyfer StratmanLocated in Los Angeles, CAThere is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsMetal, Bronze, Enamel, Steel, Copper
- Cefiro - Renaissance Inspired Bronze Sculpture of an Acrobat set on Tall StandBy Jesus Curia PerezLocated in Chicago, ILCefiro is derived from the Spanish word for Zephyr, meaning a soft gentle wind which brings spring to the Mediterranean. The word also depicts beauty and playfulness. This figure p...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsBronze, Steel
- The Story of Joseph from the Second Baptistery Doors, Florence (“The Gates of PaBy Ferdinand BarbedienneLocated in New York, NYFerdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...Category
Late 19th Century Figurative Sculptures
MaterialsBronze