Items Similar to Well dressed 2 - Arman, bronze, sculpture, decorative, green, female, figure
Want more images or videos?
Request additional images or videos from the seller
1 of 6
ArmanWell dressed 2 - Arman, bronze, sculpture, decorative, green, female, figure2005
2005
About the Item
Pierre Arman (1928-2005)
Well dressed 2
2005
bronze with green patina and coat hooks
162 x 52 x 37 cm
signed on base (beside right foot)
numbered 19/30
Price:
£35,000 GBP
Provenance:
Noé Willer, Art Conseil, Paris, France
Literature:
Luca Beatrice, Arman, 2007, p. 31, another cast illustrated
Notes:
Armand Pierre Fernandez (commonly known as Arman) was born in 1928 in Nice to Antonio Francisco and Marie Marguerite Fernandez. He began painting as a young boy under the instruction of his father.
After receiving his bachelor's degree in philosophy and mathematics in 1946, Arman studied painting at the Ecole Nationale d'Art Decoratif in Nice. There he met artists Yves Klein and Claude Pascal with whom he became great friends. During his early years as an artist, Arman chose to sign his work using only his first name, in the style of Vincent Van Gogh.
In 1949, Arman moved to Paris to study at the École du Louvre. Early in the development of his career, it was apparent that his interest in the accumulation of vast quantities of the same objects; paint tubes, ball bearings, car parts, musical instruments, paint brushes, stamped patterns, was to be a significant component of his future artistic work. The power of these pieces was made evident during the Post-War age of consumerism and mass-production in which he lived. These accumulation works held the glass to a society which had readily accepted an inundation of ready-made, identical, machine built consumer goods.
After seeing an exhibition of work by Kurt Schwitters, Arman began creating his first Cachets. These were to feature in his solo exhibition in Paris in 1956. The commonly used abbreviation of his name from "Armand" to "Arman," came about shortly afterwards as a result of a typing error made in a catalogue which omitted the "d" from his name. Although initially outraged by the error, he soon decided he preferred to be known as Arman.
It was around this time that Arman's work began its most serious evolution, beginning with his two most renowned concepts: Accumulation and Poubelle. These consisted of accumulations of identical every day objects in glass cases, and their counterparts the poubelle, which were collections of refuse. With a new name and a revolutionary style, he began to garner the attention of the European art community.
In 1961, Arman made his debut in the United States and took up residency in the city. In 1973 he became an American citizen. Whilst in New York he began to work on ever increasingly ambitious projects, including accumulations of tools, watches, clocks, furniture, automobile parts, jewelry, and, of course, musical instruments in various stages of dismemberment. It was during these active years of the mid 1960s that he made his first accumulations of paint tubes embedded in polyester which have become some of his most popular and sought after pieces of work.
Over the following years up until his death in 2005, Arman continued as an artist of diversity both producing paintings and sculpture whilst also teaching and illustrating children's books. He died in the USA in 2005 and is survived by his second wife Corice Canton.
Categories:
Well dressed 2, Arman, pierre arman, bronze, sculpture, decorative, green, female, figure, female figure, coat, coat hook, lifesize, big, french, modern, modern art, objects, american, avant-garde, modern art, post-war, large, woman, design
- Creator:Arman (1928 - 2005, French)
- Creation Year:2005
- Dimensions:Height: 63.78 in (162 cm)Width: 20.48 in (52 cm)Depth: 14.57 in (37 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU141426631692
Arman
Arman was born in Nice, France, in 1928, and showed a talent for painting and drawing as a child. He studied at the the Ecole Nationale des Art Décoratifs in Nice followed by studies at the École du Louvre in Paris. In his early years he focused on abstract paintings. Then, in 1957, he became interested in common objects as works of art. He first did what came to be called his "allures d"objet" (object impressions), where he would dip an object into paint and press it on canvas thus leaving the object's shadow or impression. Then he decided the object itself was worth paying attention to and started to treat them in his own way. His intention was to remove the material purpose of an object so that its only remaining function was to "feed the mind" as a work of art. What better way to achieve that result than by breaking, slicing or even burning objects such as violins, telephones, typewriters or even whole cars? He also made objects useless by accumulating them, such as 2,000 wristwatches in a Plexiglass box that all kept different time. Once emotionally detached from the circumstances associated with a broken object, the viewer could grow to appreciate its abstract beauty; so, in a sense, Arman was literally teaching that things one never thought could be regarded as attractive could indeed turn out to be so. Through this achievement, Arman gained worldwide recognition and is regarded as one of the most prolific and inventive creators of the late 20th century. His work can be found in the collections of numerous museums including the Metropolitan Museum of Art in New York, the Tate Gallery in London and the Centre Pompidou in Paris. Arman’s work has also been exhibited in galleries, museums and public spaces worldwide including the Musée D’Art Contemporain in Tehran, Iran; the Museum of Art in Tel Aviv, Israel; the Musée Des Arts Decoratifs and Opéra De Paris in France; the La Jolla Museum of Contemporary Art in California; and the Museum of Arts and Design and the Guggenheim in New York He died in 2005 in New York.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2006
1stDibs seller since 2020
14 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Mother and Child: Petal Skirt - Henry Moore, sculpture, modern, british, smallBy Henry MooreLocated in London, GBHenry Moore (1898-1986) Mother and Child: Petal Skirt conceived in 1955; cast in 1955 bronze; edition 4 of 6 plus 1 artist’s proof by the Fiorini foundry, London 19 x 9 x 15.5 cm (in...Category
1950s Modern Figurative Sculptures
MaterialsBronze
- Pan and MaidensBy Ary BitterLocated in London, GBSilvered bronze with marble baseCategory
1920s Figurative Sculptures
MaterialsBronze
- Faun and NymphLocated in London, GBsigned 'A. Rivalta' (on the base)Category
Late 19th Century Figurative Sculptures
MaterialsBronze
- Art Deco Bronze PantherLocated in London, GBbronze with green patina inscribed 'S. Melani' (inside of hind leg) and inscribed 'S. Melani' (lower right of base) mounted on a marble base PROVENANCE Private collection, UKCategory
20th Century Figurative Sculptures
MaterialsBronze
- Lady GodivaLocated in London, GBbronze with dark brown patina 72 x 69 cm (28⅜ x 27⅛ in.) signed 'L. MIGNON'; with an indistinct foundry inscription PROVENANCE: Private collection, LondonCategory
19th Century Figurative Sculptures
MaterialsBronze
- Dancing GirlLocated in London, GBgilt bronze on marble baseCategory
20th Century Figurative Sculptures
MaterialsMarble, Bronze
You May Also Like
- Show of InterestBy Brad RudeLocated in Denver, COArtist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art studio left...Category
2010s American Modern Figurative Sculptures
MaterialsEnamel, Bronze
- Profile Pitcher, Cubist Bronze VaseLocated in Long Island City, NYArtist: Unknown, possibly Russian Title: Profile Pitcher Medium: Bronze Sculpture with Patina Size: 26.5 in. x 9 in. x 5 in. (67.31 cm x 22.86 cm x 12.7 cm) Base: 2.5 x 10.5 x 10.5 i...Category
20th Century Modern Figurative Sculptures
MaterialsBronze
- Mexican Art Abstract Brutalist Biomorphic Bronze Sculpture Mathias GoeritzBy Mathias GoeritzLocated in Surfside, FLMathias Goeritz (German Mexican, 1915-1990) Bronze sculpture Signed and numbered Dimensions: (approximate) Height: 10 inches, Width: 4 inches, Depth: 2 inches. This is a cast bronze sculpture in an amorphous figure shape, quite heavy. Reminiscent of the biomorphic sculpture of Hans Jean Arp. This came from an estate and bears his signature It is not dated. there is no accompanying documentation. it is priced accordingly. Werner Mathias Goeritz Brunner (Danzig, Germany, April 4th, 1915/ now Gdansk, Poland – Mexico City, Mexico; August 4th, 1990). Mathias Goeritz has had several gallery and museum exhibitions, including at the Museo Nacional Centro de Arte Reina Sofía and at the Museo Experimental El Eco. Numerous works by the artist have been sold at auction, including 'MENSAJE' sold at Sotheby's New York 'Latin American Modern Art' in 2015 for $466,000. There have been Several articles about Mathias Goeritz, including 'LACMA remaps Latin America' written by Suzanne Muchnic for the Los Angeles Times. Painter, sculptor and Mexican architect associated with the trend of constructive abstraction. He studied medicine at the University of Berlin, but this only lasted a year. The concerns of the young student were aesthetic in nature so he he studied figurative drawing at the Berlin Charlottenburg School of Art. Some of his friends and colleagues were the sculptor Ernst Barlach, painter George Grosz and draughtsman Kaethe Kollwitz. Goeritz studied philosophy and history of art, discipline in which earned a doctorate. He travelled in France, Switzerland, Czechoslovakia, Poland, Austria and Italy, among other countries. It is known that he left Germany to live in Tetuan, Morocco in 1941 and then Granada, Spain in 1945. In 1946 he had a large exhibition in the Sala Clan in Madrid under the pseudonym "Mago". Two years later, living in Santilla del Mar, Spain he was a founder of the Escuela de Altamira. The following year he married Marianne Gast, writer and his companion for more than fifteen years. In Spain followed his artistic work by important artists of the avant-garde. Of Jewish descent, he found refuge from the Second World War in Mexico where in 1949 he was invited by Ignacio Diaz Morales to be a part of the faculty of the School of Architecture at the Universidad de Jalisco. In 1953 he wrote the "Manifiesto de la Arquitectura Emocional" (The Emotional Architecture Manifesto), where he points out that only achieving true emotions from architecture can it then be considered an art form. In Mexico he entered controversy with the artistic stablishment of that country; in an open letter, Diego Rivera and David Alfaro Siqueiros described him as "an impostor without the most insignificant talent and preparation" to be an artist. Despite this, in 1957 he was elected director of visual design of the National School of architecture This same year he founded the Museo del Eco in Mexico City. In 1961 Goeritz participated at the Galería Antonio Souza in a group exhibition, Los hartos, for which he published another manifesto. Other participants included Jose Luis Cuevas and Pedro Friedeberg, with whom he was instrumental in establishing abstraction and other modern trends in Mexico.His work is included in the Gelman Collection of modern and contemporary Mexican art based in Cuernavaca, Mexico. Established by Jacques and Natasha Gelman in 1943 as a private collection. it includes many iconic works by major Mexican Modernists including Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, Leonora Carrington, Rufino Tamayo and Francisco Toledo, Lola Alvarez...Category
20th Century Modern Abstract Sculptures
MaterialsBronze
- "Zeke & Zach 11/18" Abstract Figurative Bronze sculpture of a man and horseBy Wayne SalgeLocated in Edgartown, MAThe historic tradition of cast bronze provides a contemporary avenue for the creation of Wayne Salge’s abstracted human and animal figures. Thoroughly modern and distinctly impressio...Category
2010s Modern Figurative Sculptures
MaterialsBronze
- Équilibre d'éléphants ( mod.01 )Located in Villafranca Di Verona, ITNumbered and limited to 45 copies ( 30 + 15 P.A ) Artwork signed Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, met...Category
2010s Modern Figurative Sculptures
MaterialsBronze
- Équilibre d'éléphants ( mod.03 )Located in Villafranca Di Verona, ITNumbered and limited to 12 copies ( 30 + 15 P.A ) Artwork signed Authenticity: Sold with certificate of Authenticity from the gallery Invoice from the gallery Sculpture: bronze, met...Category
2010s Modern Figurative Sculptures
MaterialsBronze
Recently Viewed
View AllMore Ways To Browse
Weller Green
Bronze Well
Figure Green
Large Figure Sculpture
Green Sculptures Modern
Dress Sculpture
Large Green Sculpture
Female Figure Sculpture
Female Figure Sculptures
Glass And Bronze Sculpture
Gold Green Sculpture
Green Sculpture Bronze
Bronze Modern Figure
Woman Figure Sculptures
Female Figure Bronze
Modern Sculpture Large Bronze
Post Modern Glass Sculpture
Large Female Sculpture