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Erté
Faubourg St. Honoré

1990

About the Item

The Rue Faubourg St. Honoré is a famous street in Paris's 8th District. While narrow compared to the Champs Elysées, it is considered the capital of Haute Couture due to the presence of major fashion houses including Versace, Chanel, Prada, Gucci, Christian Dior, Hermès, Yves Saint Laurent and Chloé. It can be compared to New York's Madison Avenue and Los Angeles' Rodeo Drive. Erté originally created this design as a drawing in January, 1918 for Harper's Bazar. The sculpture recreates an elegant woman, dressed for winter in a formal, brocade robe. The vermilion red satin lining of her ebony robe, with its soft folds and gold embroidery presents a regal vision of the fashion of the day. Catalogue - Erté: The Last Works (Dutton, pgs. 181, 207). From the total edition of 462; numbered 362/375 (there were also 50 Roman and 37 AP). The bronze sculpture/casting medium and process is, and has always played, a fascinating part in the history of art, admired by civilization for thousands of years and continuously developed with modern technology. Erté sculpture exemplifies the timeless beauty of this intriguing art form and manifests the artist’s personal unique flair in every bronze creation.
  • Creator:
    Erté (1892 - 1990, Russian)
  • Creation Year:
    1990
  • Dimensions:
    Height: 21 in (53.34 cm)Width: 12 in (30.48 cm)Depth: 9 in (22.86 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Greenwich, CT
  • Reference Number:
    Seller: 2911stDibs: LU2664213541982
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  • Masquerade
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    Masquerade is based on an image Erté originally created as a fashion drawing for Harper’s Bazar in 1922. Catalogue - Erté: The Last Works (Dutton, pgs. 119, 207). From the total edi...
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  • La Mystérieuse
    By Erté
    Located in Greenwich, CT
    La Mystérieuse was inspired by Erté’s design for a wedding gown published in Harper’s Bazar in 1923. Erté wrote, “The name comes from the effect of mystery of this exquisite outfit. The dress was designed to be in white crêpe embroidered with geometric designs in silver and adorned with snow-white ermine...
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  • Helen of Troy
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    Erté’s image of Helen of Troy also exists as a gouache painting and a serigraph. Known as "the face that launched a thousand ships" and as Zeus' daughter, her story is one that is intricately intertwined with many of the Greek gods and goddesses...
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  • Golden Fleece
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    Erté designed Golden Fleece for a Folies-Bergére scene entirtled "The Golden Fleece" and a 1926 George White's Scandals scene entitled "La Toison d'or." Erté, whose artistic style was influenced in part by a childhood admiration of classic Greek art, was always drawn to a good story with a sense of drama – typified by Greek tragedy. Catalogue - Erté: The Last Works (Dutton, pgs. 115, 207). From the total edition of 462; numbered 215/375 (there were also 50 Roman and 37 AP). Referring to the legend of Jason and the Argonauts, the Golden Fleece sculpture depicts an elegant woman in a classic Greek garment. The curled horns of the ram style her headdress, elegant in appearance and yet fierce in battle. Descending from these horns is the golden fleece itself, its curly mane covering the woman to her toes. Her gown, a gracefully draped toga, is designed to leave one breast bared, in the folkloric tradition of the Amazon tribe of women warriors...
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  • Arabian Nights
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