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Man RaySenza Titolo1962
1962
About the Item
This artwork titled, Senza Titolo,1962 is a color lithograph on Arches watermarked paper by artist Man Ray (American, 1890-1976) It his hand signed and numbered out of the edition of 175 by the artist in pencil. In excellent condition. The image size is 24.75x19 in. This artwork is referenced and pictured in the artist's catalogue raisonnee by Luciano Anselmino. Framed in gold wooden frame, with fabric matting and gold color bevel. The size including frame is 41 x 33 inches.
Man Ray was an American visual artist who spent most of his career in France. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. Man Ray is also noted for his work with photograms, which he called rayographs in reference to himself. He grew up in Williamsburg, Brooklyn. His work can be seen in major museum and collections worldwide.
- Creator:Man Ray (1890 - 1976, American)
- Creation Year:1962
- Dimensions:Height: 41 in (104.14 cm)Width: 33 in (83.82 cm)Depth: 2.15 in (5.47 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
Man Ray
Born Emmanuel Radnitzky, Man Ray was a famous American filmmaker, painter and photographer. His career is distinctive, above all, for the success he achieved in both the United States and Europe. First maturing at the center of American modernism in the 1910s, he made Paris his home in the 1920s and 1930s. In the 1940s, he crossed the Atlantic once again and spent periods in New York and Hollywood.
Ray’s art spanned painting, sculpture, film, prints and poetry, and in his long career, he worked in styles influenced by Cubism, Futurism, Dada and Surrealism. He also successfully navigated the worlds of commercial and fine art and came to be a sought-after fashion photographer. Ray is perhaps most remembered for his photographs of the inter-war years, in particular, the camera-less pictures he called "Rayographs," but he always regarded himself first and foremost as a painter. Although he matured as an abstract painter, Ray eventually disregarded the traditional superiority painting held over photography and happily moved between different forms. Dada and Surrealism were important in encouraging this attitude; they also persuaded him that the idea that motivates a work of art was more important than the work of art itself.
André Breton once described Ray as a pre-Surrealist, something which accurately describes his natural affinity for the style. Even before the movement had coalesced, in the mid-1920s, his work, influenced by Marcel Duchamp, had Surrealist undertones. He would continue to draw on the movement's ideas throughout his life. Ray's work has ultimately been very important in popularizing Surrealism.
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