Items Similar to "The Sepulchre" Eclogue 8 original etching
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Samuel Palmer (b.1805)"The Sepulchre" Eclogue 8 original etching1883
1883
About the Item
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Company. Samuel Palmer had planned a series of etchings to illustrate his translation of Virgil's Eclogues, but died in 1881 before finishing the project. The Sepulchre is one of four etchings left by the artist in an advanced state of completion, and the final details were finished by his son Alfred Herbert Palmer. Catalogue reference: Lister E16. Image size: 4 x 6 inches (100 x 152 mm). Plate size: 5 1/4 x 7 3/8 inches (133 x 189 mm). Sheet size: 8 1/4 x 12 5/8 inches (212 x 320 mm). Not signed.
Condition: there is age-toning near the edges of the sheet.
- Creator:Samuel Palmer (b.1805) (1805 - 1881, British)
- Creation Year:1883
- Dimensions:Height: 5.24 in (13.3 cm)Width: 7.45 in (18.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Condition: there is age-toning near the edges of the sheet.
- Gallery Location:Henderson, NV
- Reference Number:1stDibs: LU2365213707162
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2006
1stDibs seller since 2023
270 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Henderson, NV
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "Opening the Fold - Early Morning" Eclogue 8 original etchingBy Samuel Palmer (b.1805)Located in Henderson, NVMedium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Company. Samuel Palmer had planned a series of etchings...Category
1880s Realist Prints and Multiples
MaterialsEtching
- "L'Hiver a Paris" original etching on japon paperBy Félix Hilaire BuhotLocated in Henderson, NVMedium: original etching and drypoint with aquatint and roulette. This is an exquisite impression on japon paper, of what is arguably the most famous Felix Buhot...Category
1880s Realist Prints and Multiples
MaterialsEtching
- "The Cypress Grove" Eclogue 5 original etchingBy Samuel Palmer (b.1805)Located in Henderson, NVMedium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Company. Samuel Palmer had planned a series of etchings to illustrate his translation of Virgil's Eclogues, but died in 1881 before finishing the project. The Cypress Grove is one of four etchings...Category
1880s Realist Prints and Multiples
MaterialsEtching
- "Moeris and Galatea" Eclogue 9 original etchingBy Samuel Palmer (b.1805)Located in Henderson, NVMedium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Company. Samuel Palmer had planned a series of etchings to illustrate his translation of Virgil's Eclogues, but died in 1881 before finishing the project. Moeris and Galatea is one of four etchings...Category
1880s Realist Prints and Multiples
MaterialsEtching
- "La charrue" original etchingBy Pieter DupontLocated in Henderson, NVMedium: original etching. This impression on japon paper was printed in 1902 and published in Paris by the by Gazette des Beaux Arts. Image size: 5 x 8 1/2 inches (127 x 213 mm). Not...Category
Early 1900s Realist Prints and Multiples
MaterialsEtching
- "Sur la Tamise" original etching Thames RiverBy Jacques BeurdeleyLocated in Henderson, NVMedium: original etching. A rather atmospheric view of London's Thames River and a good impression on thin laid paper, published in Paris in 1909 for the Revue de l'art ancien et mod...Category
Early 1900s Realist Prints and Multiples
MaterialsEtching
You May Also Like
- MontagueBy Sarah DuncanLocated in Deddington, GBMontagne by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Montagne is a limited edition signed etching print on paper by Sarah Duncan of a black and white mountain...Category
21st Century and Contemporary Realist Landscape Prints
MaterialsEtching
- 'Foul Rope (Left)' — early American rodeoBy William Robinson LeighLocated in Myrtle Beach, SCWilliam Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil. Signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). Archivally matted to museum standards, unframed. ABOUT THE ARTIST Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the western landscape, admirers referring to him as ‘The Sagebrush Rembrandt’. The son of impoverished Southern aristocrats, Leigh took his first art training at age 14 from Hugh Newell at the Maryland Institute where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator in New York City for Scribner's and Collier's Weekly Magazine, and he also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, his primary interest being the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926 he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in a number of popular magazines including Life, the Saturday Evening Post, and Colliers. For many years, his work was handled exclusively in New York by Grand Central Art Galleries at the Biltmore Hotel. In 1953 Leigh was elected into the National Academy of Design as an Associate member, becoming a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody in the early part of the century. These years, between 1910 and 1921, when he often painted in the Carter Mountain vicinity, were considered pivotal to his artistic development and his devotion to the western landscape. Leigh's work is held in many museum collections of American western art...Category
1920s Realist Animal Prints
MaterialsEtching
- WESTERN PEAKSBy Harold Lukens DoolittleLocated in Santa Monica, CAHAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...Category
1940s Realist Landscape Prints
MaterialsAquatint
- PSFS Building (Philadelphia Cityscape Architecture)Located in Wilton Manors, FLNaomi Charles Limont (1929-2010). PFSF Building, Philadelphia, ca. 1990. This piece is a restrike of the following Earl Horter image, using the exact plate created by Horter nearly 6...Category
20th Century Realist More Prints
MaterialsEtching
- London Tower BridgeBy Luigi KasimirLocated in San Francisco, CAThis artwork titled "London Tower Bridge" 1924 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 12.15 x 17.25 inches, the sheet size is 20.15 x 24.65 inches. with full margin. it is in excellent condition, has never been framed. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...Category
Early 20th Century Realist Figurative Prints
MaterialsEtching
- Golden Gate, San Francisco, CaliforniaBy Luigi KasimirLocated in San Francisco, CAThis artwork titled "Golden Gate, San Francisco, California" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand sig...Category
Early 20th Century Realist Figurative Prints
MaterialsEtching
Recently Viewed
View AllMore Ways To Browse
Resin Sculpture Geometric
Soviet Vintage Posters
Vintage Soviet Posters
Woodblock Engraving
Salvador Dali The Divine Comedy
Silver Screen Vintage
Lithograph Mountains
Nude Original Etching
Original Pablo Picasso Drawing
Plant Engravings
Screen Print And Collage
Vintage Disney
Vintage Tourist
Dali Three
Poster 1963
Wood Block Art Prints
National Gallery Poster
The Retro Muse