André Massonsigned original lithograph1972
1972
About the Item
- Creator:André Masson (1896-1987, French)
- Creation Year:1972
- Dimensions:Height: 14.57 in (37 cm)Width: 10.83 in (27.5 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Henderson, NV
- Reference Number:1stDibs: LU2365213742752
André Masson
Born in 1896 in Balagny-sur- Thérain, a small village in France, André Masson spent most of his youth in Brussels, Belgium working as a pattern maker at an embroidery atelier. Masson began his schooling in 1907 at the Académie Royale des Beaux-Arts in Brussels. In 1912, he relocated to Paris, where he attended the École des Beaux-Arts. In 1914, the artist was called to military duty for the First World War, where he was severely wounded and sent back to Paris. Much of Masson’s work is influenced by this trauma; his drawings and paintings executed during the 1920s represent battle scenes, blood, death, birds and fish. The strange realities of trench warfare and the immediate contiguity of life and death are drawn upon, and his imagery suggests a confrontation of life at an abnormal level of experience. His signature style deals with violence, evident in terrifying, fragmented figures, which reflect the horrors of the Spanish Civil War and WWII, as well as his troubled psyche in the aftermath of his service in WWI.
After WWI, Masson moved to the South of France, where he met Juan Gris, André Derain, Joan Miró and André Breton. Breton championed the Surrealist Manifesto and Masson joined in the group exhibition of the first Surrealists. An iconoclast, whose abrupt stylistic transitions defy classification, Masson also explored automatism (automatic drawing), a process that sought to express the creative force of the unconscious. These automatic drawings had no preconceived subject or composition. Like a medium channeling a spirit, Masson let his pen travel rapidly across the paper without conscious control. He soon found hints of images, fragmented bodies and objects, emerging from the abstract, lacelike web of pen marks. At times, Masson elaborated on these with conscious changes or additions, but he left the traces of the rapidly drawn ink mostly intact. Masson’s oeuvre explores several techniques of painting, drawing and sculpture and displays rich, colorful abstraction as well as monochrome imagery and automatic linear representations. An early Surrealist and student of Cubism, Masson went on to inspire the New York Abstract Expressionists. Masson developed a technique of automatic painting that retained the element of chance; he dripped glue onto paper to form drawings and then covered it with sand. These ‘sand paintings’ are unquestionably his most iconic style.
When Masson emigrated to the U.S. in 1939, he strongly influenced several American painters with this technique, the most evident example being Jackson Pollack. After his time in America, he returned to Europe and while living in Spain during the mid-1930s, he became enraptured with Spanish themes—bullfights, matadors and Spanish mythology. Masson finally settled down in France (Aix-en-Provence), where he took up a late interest in impressionistic landscape, but he ultimately came to a place where he painted nearly exclusively abstract images. Masson dedicated his life as an artist to encouraging the non-rational purpose in art, to the direct transference of subconscious thought and to the primal forces of conflicts that he experienced in the trenches of World War One. Masson sought to convey in his work a deeper reality of man’s behavior, his own complex personal imagery, and his belief that painting is not a matter of developing style but a part of life itself.
- ShippingRetrieving quote...Ships From: Henderson, NV
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- "Icarus" lithographBy (after) Henri MatisseLocated in Henderson, NVMedium: lithograph (after the découpage). Printed in 1945; Matisse executed this composition for the cover of the art revue Verve (Volume IV, Number 13 -- the "De la Couleur" issue). Size: 14 x 21 1/2 inches (360 x 545 mm). This work was published as a folded sheet with another lithograph printed on the back. Please note, this listing is for the cover lithograph only...Category
1940s Portrait Prints
MaterialsLithograph
- "Oeurves Recentes" lithograph posterBy (after) Henri MatisseLocated in Henderson, NVMedium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Henri Matisse created a series of posters at the atelier of Mourlot Frere...Category
1950s Portrait Prints
MaterialsLithograph
- lithograph for Florilege des amours de RonsardBy (after) Henri MatisseLocated in Henderson, NVMedium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...Category
1970s Portrait Prints
MaterialsLithograph
- "The Two Sisters" lithographBy (after) Henri MatisseLocated in Henderson, NVMedium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 6 1/2 x 8 inches (168 x 202 mm). Not signed. Cond...Category
1950s Portrait Prints
MaterialsLithograph
- "Lucian Freud" lithographBy (after) Francis BaconLocated in Henderson, NVMedium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon ...Category
1960s Surrealist Portrait Prints
MaterialsLithograph
- lithograph for "Le Gout du Bonheur"By (after) Pablo PicassoLocated in Henderson, NVMedium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munic...Category
1970s Portrait Prints
MaterialsLithograph
- "French-Hunt" by SemBy SEMLocated in Bristol, CTClassic (framed) colour plate by 'Sem' aka Georges Grousat (1863-1934) depicting a french hunt w/ trompe de chasse (hunting horn) scene Image Sz: 17"H x 13"...Category
20th Century Portrait Prints
MaterialsLithograph
- SEATED SEAMSTRESS Signed Lithograph, Young Woman Measuring Tape Dress FormBy Raphael SoyerLocated in Union City, NJSEATED SEAMSTRESS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1899...Category
1970s Realist Portrait Prints
MaterialsLithograph
- GATHERING Signed Stone Lithograph, NYC Group Portrait Drawing, Light BrownBy Raphael SoyerLocated in Union City, NJGATHERING is an original hand drawn stone lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Hand proofed and printed in 1977...Category
1970s Realist Portrait Prints
MaterialsLithograph
- SLAVE TO FASHION, Signed Lithograph, City Woman Walking Dog, Animal Print CoatBy Robin MorrisLocated in Union City, NJSLAVE TO FASHION by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on a...Category
1980s Art Deco Portrait Prints
MaterialsLithograph
- SEATED WOMAN PINK SOCKS Signed Lithograph, Female Portrait, Graphite DrawingBy Raphael SoyerLocated in Union City, NJSEATED WOMAN PINK SOCKS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter...Category
1970s Realist Portrait Prints
MaterialsLithograph
- Woman Walking Away from GentlemanBy Rudolf BauerLocated in New Orleans, LAA well dressed woman takes leave of a gentleman. Rudolf Bauer was born in 1889, in Lindenwald, Germany-Poland. The son of a wealthy engineer, Bauer became an essential part of the avant-garde movement and the birth of non-objective art in the early 1920's. Bauer began his studies at the Academy of Fine Arts in Berlin in 1905, where he learned the fundamentals and produced beautifully stylized figurative drawings. In 1912, Bauer met Herwarth Walden, a promoter of the avant-garde movement and founder of Der Sturm Art Gallery. Bauer became a member of Der Sturm, and was represented in group exhibitions along with Kandinsky, Picasso, Chagall, Klee et al. By 1922, Bauer had participated in 80 Der Sturm exhibitions in Belgium, Denmark, Great Britain, Italy, et al. In 1917, Bauer had his first one-man show at Der Sturm Gallery, exhibiting 120 works. By 1921, with his many one-man and group exhibitions, and his significant publications of his theories on art, Bauer became Germany's leading abstract expressionist painter. In 1929, Bauer founded his own private museum, Das Geistreich-Bauer (The Realm of the Spirit). In 1933, Hitler became Chancellor of the German Republic and with that modern art was branded as "sub-human". Walden closed Der Sturm and fled Germany. The purge of modern artists and curators began, but at the same time Bauer was having his work exhibited at the new Museum of Modern Art in New York City. Despite Hitler's proclamations of the "degeneracy" of modern art, Bauer continued his mission, the free expression in art, writing dictums and creating art. Meanwhile, Solomon R. Guggenheim, the famous American philanthropist, had been acquiring Bauer's work; so many pieces in fact that that he could no long fit his work within the confines of his residential suite at the Plaza Hotel in New York. In 1936, Guggenheim decided to exhibit his entire collection of Bauer's work in one venue, at the Gibbes Memorial Art Gallery in Charleston, SC. Later that year, the famous Jeu de Paume, a division of the Louvre, in Paris, honored Bauer with a one-man exhibition. As a result of the show, the Louvre purchased one of Bauer's oil paintings. Upon his return from the show at Jeu de Paume, and despite the fact he was not Jewish, Bauer was arrested and sent to a concentration camp. Filippo Marinetti...Category
Early 20th Century Modern Figurative Prints
MaterialsLithograph