Sally Gall

Canoe

2000

Sally Gall has spent her career exploring the intricacies of the natural world in delicate black-and-white photos of dew on spider webs, reflections on water, formal gardens, insects...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...

Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group survey of rising modernist architects, Graves, along with Richard Meier, Charles Gwathmey, Peter Eisenman...

Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

In her image- and color-saturated paintings and prints, Jiha Moon mashes up materials, motifs, and techniques to create dreamlike compositions, stuffed with Eastern and Western art historical and pop cultural references that challenge fixed notions of cultural identity and represent our information-overloaded world. Everything is fair game for Moon—she draws from sources high and low, real and virtual, ancient and contemporary, including 13th-century Taoist painting...

This image is printed in black ink on Hahnemühle Copperplate paper in an edition of 12 from a copper photogravure plate made from the artist's original 35mm camera negative. The scene was captured in New York City's Central Park. The artist's signature, title, date and edition number are in pencil on the front, lower margin. This print is included in Volume 1 of "Toward What Sun?", the artist's ongoing series of photogravure prints. It is available singly or as part of the ten prints that comprise Vol.I. Philip Van Keuren...

This image is printed in black ink on Hahnemühle Copperplate paper in an edition of 12 from a copper photogravure plate made from the artist's original 35mm camera negative. The scene was photographed on an Amsterdam street. The artist's signature, title, date and edition number are in pencil on the front, lower margin. This print is included in Volume 1 of "Toward What Sun?", the artist's ongoing series of photogravure prints. It is available singly or as part of the ten prints that comprise Vol.I. Philip Van Keuren...

Edition of 20

Edition of 20

Edition of 20

Edition of 20