Items Similar to The Arch of Constantine and the Colosseum
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Giovanni Battista PiranesiThe Arch of Constantine and the Colosseum 1760
1760
About the Item
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition, on thin laid paper, no visible watermark
Inscription: At lower left: "1. Meta sudante / 2. Radice del Palatino / Presso l'Autore a Strada Felice vicnio alla Trinità de'Monti. A paoli due e mezzo."; bottom center: "Veduta dell'Arco di Costantino, e dell'Anfiteatro Flavio detto il Coloseo."; lower right: "3. Vestigie della Terme di Tito /4. Radice dell'Esquilino / Piranesi del. Scolp."
Signed in the plate lower right: Piranesi del. sculp.
Etching, 1760
Image/Plate size: 16 1/8 x 21 5/8 inches
Reference: Hind 56 iv/VI, the price eraced, but beofre the numbers in the plate
Wilton-Ely 1.195.152
Foclillon 805
Condition: Very good
Regarding Vedute di Roma
"By 1747, Piranesi had begun work on the Vedute di Roma, and he continued to create plates for this series until he died in 1778. Piranesi’s Vedute, which overshadowed competitor’s views of Roman landmarks through compelling compositions, strong lighting contrasts, and dramatic presentation, shaped European conceptions of present day Rome. This influenced European thought to such an extent that Grand Tourists, who had come to know Rome through Piranesi’s prints, were recorded as being disappointed on their first encounter with the real thing.39 The views were intended as tourist souvenirs and, from their instant popularity, Piranesi had obviously judged the market well. His early sites include obvious popular sights, such as Piazza della Rotonda and the Sepolcro di Cecilia Metella. The first thirty-four views were published in a single volume and entitled Le Magnificenze di Roma. In his first views, the monument or subject was drawn from a distance so that it was clearly set in its context. The little figures present at the ground level are the everyday people and visitors in contemporary Rome. As represented in the “Veduta della Piazza della Rotonda,” Piranesi, clearly contorting perspective, etched an exaggerated and extended view of the Rotonda, unfocused on a specific aspect of the scene. His later views featured heavier line, a sublime eye, and more dramatic perspectives. They also specifically concentrate on a monument, like the “Veduta del Ponte Salario,” or ruin instead of portraying a sweeping view of Roman landscape. These changes could possibly be a response to market demand and what Grand Tourists wanted to see in their vedute, or it could be a personal style change as Piranesi became intrigued by the idea of the sublime. Nevertheless, these views of Rome firmly established Piranesi’s reputation and gave him the initial financial stability that enabled him to tackle grander themes. Moreover, Piranesi’s interest in ruins was genuine antiquarian desire to preserve and record.40 Piranesi was able to focus in on his awareness of what was noble and magnificent and gain a sense for the sublime in the architectural tradition of Rome. Piranesi’s lifelong obsession with architecture, past and present, was fundamental to his genius. His etched plates contained remarkable imagination and a practical understanding of ancient technology. They created a perception of antiquity lasting to our own time."
Courtesy Wellesley University
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1760
- Dimensions:Height: 16.13 in (40.98 cm)Width: 21.63 in (54.95 cm)
- Medium:
- Movement & Style:
- Period:1760-1769
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Giovanni Battista Piranesi
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
718 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Akron, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- The Monumental TabletBy Giovanni Battista PiranesiLocated in Fairlawn, OHThe Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi (Grotesques, 4 plates) Original, unwashed condition. Excellent. Second edition first is...Category
1740s Old Masters Prints and Multiples
MaterialsEtching
- View of the Ancient Structure built by Tarquinius Superbus called the Bel LidoBy Giovanni Battista PiranesiLocated in Fairlawn, OHView of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he ...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)By Giovanni Battista PiranesiLocated in Fairlawn, OHThe Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the plate lower right above the caption From: Vedute di Roma A proper Roman printing with the price in the lower right corner. Printed on a Double Circle Fleur de Lys watermark paper, c. 1760, with full margins. A brilliant impression . Note: A view of the Tiber River, Castello Sant' Angelo and St. Peter's Basilica in the distance. Watermark: Double Circle Fleur de Lys References: Robison c/g Hind 29 ii/VII Foclllon 793 Condition: A Roman printing before the numbers added in Paris. Printed on a Double Circle Fleur-de-Lys watermark paper. Right margin folded over 5/8 inches for framing. Usual centerfold as issued in the album. Slight aging to the sheet. Binding holes at the left margin edge Framed with plexi. Plate size: 14 7/8 x 22 7/8 inches Sheet size: 21 5/8 x 30 5/16 inches Frame size: 22 3/4 x 33 1/2 inches Sant’Angelo Bridge, Italian Ponte Sant’Angelo, ancient (Latin) Pons Aelius, ancient Roman bridge, probably the finest surviving in Rome itself, built over the Tiber by the emperor Hadrian (reigned 117–138 AD) to connect the Campus Martius with his mausoleum (later renamed Castel Sant’Angelo). The bridge was completed about AD 135. It consists of seven stone arches and five main spans of about 60 feet (18 m) each, supported on piers 24 feet (7 m) high. In the 13th century Pope Clement IV installed an iron balustrade and in the 16th century Pope Clement VII placed statues of Saints Peter and Paul...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- Veduta dell'esterno della gran Basilica di S. Pietro in VaticanoBy Giovanni Battista PiranesiLocated in Fairlawn, OHVeduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di...Category
1740s Old Masters Landscape Prints
MaterialsEtching
- XXXIII Fig. I Avanzo del Tempio di Castore e PolluceBy Giovanni Battista PiranesiLocated in Fairlawn, OHXXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero, Etching, 1756 Signed in the plate (see photo) From: Le Antichità Roma...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- Scene II, Le Nozze Degli DeiBy Stefano Della BellaLocated in Fairlawn, OHScene II, Le Nozze Degli Dei Etching, 1637 Signed in the plate lower left The scene depicts the initial moment when Diana is revealed, surrounded by her nymphs, celebrating a success...Category
1630s Old Masters Landscape Prints
MaterialsEtching
You May Also Like
- Veduta delle Antiche Sostruzioni, Vintage Cityscape Etching by Giovanni PiranesiBy Giovanni Battista PiranesiLocated in Long Island City, NYArtist: Giovanni Battista Piranesi, Italian (1720 - 1788) Title: Veduta delle Antiche Sostruzioni Portfolio: Vedute di Roma Year: 1776 Medium: Etching ...Category
1770s Old Masters Landscape Prints
MaterialsEtching
- Supplicium sceleri Fraenum - Etching by Jacques Callot - 1624/34By Jacques CallotLocated in Roma, ITSupplicium sceleri Fraenum (Les Supplices) is an original Etching realized by Jacques Callot in 1624/34. Lettered with name of etcher (bottom right), title and four columns of French verses: 'Voy, lecteur, comme la Justice... Des effectz de la forfaicture'. Good condition included a cream colored cardboard passpartout (40x60 cm). Jacques Callot (1592 – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print...Category
1660s Old Masters Figurative Prints
MaterialsEtching
- Shepherds with Flock - Etching - 19th CenturyLocated in Roma, ITSherpherds with flock is a beautiful etching on cream-colored paper, realized by an artist of the XIX century. Image Dimensions: 37 x 46.5 cm In good conditions, except for some tea...Category
19th Century Old Masters Landscape Prints
MaterialsEtching
- The Temple of Peace - Etching by Giuseppe Vasi - Mid-18th CenturyBy Giuseppe VasiLocated in Roma, ITThe Temple of Peace is an original black and white etching realized by Giuseppe Vasi. Good conditions except for the trace of being fold at the middle. Sheet dimention:42 x 56 The...Category
Mid-18th Century Old Masters Figurative Prints
MaterialsEtching
- Landslide (Bergsturz), Pre-20th Century Etching by Max KlingerBy Max KlingerLocated in Long Island City, NYMax Klinger's Intermezzi (Intermezzos) offers a diverse selection of amusements, like brief comedic interludes at the opera. The portfolio highlights the capriciousness of life and i...Category
1880s Old Masters Landscape Prints
MaterialsEtching
- Ruins of an Ancient Tomb - G. B. Piranesi - 1762By Giovanni Battista PiranesiLocated in Roma, ITRuins of an Ancient Tomb is an original etching realized by the italian artist Giovanni Battista Piranesi in 1762. Image dimensions: 41.5x56 cm Very precoius and rare lifetime spec...Category
1760s Old Masters Figurative Prints
MaterialsEtching
Recently Viewed
View AllMore Ways To Browse
Antique Arch
Antique Arches
Set Of 8 Architectural Prints
Set Of 4 Architectural Prints
Souvenir De Paris
Souvenirs De Paris
Roman Souvenir
Wilton Antique
Constantine Roman
Piranesi Set
Il Ponte
Piranesi Veduta Di Roma Etching
Piranesi Veduta Di Roma
Genuine Antique Lighting
Veduta Del Ponte
Colosseum Piranesi
Piranesi Ponte Di Salario
Reproduction Vintage Maps