Frank Lemon

Charles Lindbergh Over Paris

1928

Original engraving by old master print-maker Ploos Van Amstel after Jan van Goyen. Holland, 1767. Unframed. Trimmed to size.

Color printed aquatint engraving with additional contemporary hand-colored details. Engraved by John Harris after the painting by Harry Hall. London, 1897. ...

Meheut, Mathurin. La Plante Exotique. Pl 1: Bamboo. Paris, 1931. Heliochrome print.

Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

Castello Sant Angelo from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1754. Etching on laid paper with a watermark of a Fleur-de-Lys in a double circle with CB a...

large format photograph capturing iconic elements of modernist midcentury architecture in California desert Palm Springs ( White ) by Frank Schott 40 x 32 inches ( 132 x 81cm ) ed...

"Fooling Around 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed. Ships in a tube. From "Tell me how to behave" series "The simulacrum is not what hides the truth. It is the truth that conceals that there is no truth. The simulation is true " TELL ME HOW TO BEHAVE Series of photographs digitally intervened and road signs transformed (life-size), who wonder about the infinite possibilities, without losing sight of the fact that in all of them. There is the possibility of death. With this in mind, the work seeks to relate to the viewer, in terms of the experience lived, decisions in time, or personal history, which are common to all. Functioning as a counter-proposal to the expectations that the group expects from the individual. The dislocated-edited reality makes us ask about our reality and to what extent. Sample freedom of choice is influenced by external agents, mass control systems, mass media, etc. Waste, immaturity, successes, time lived. The series plays with the presentation of bad possibilities, absurd and impossible, and their relationship with time. Letting you see the paradox of memories and experience, raising its relationship with the present. Where the image of the road, as an American space of freedom, opens up to the idea of ​​a space large enough to imagine the possibility of reinvention in every second. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz Vera, Madrid. SOLO EXHIBITIONS 2018 Kadoshiro Art Gallery “Looking for Happiness” Eduardo Lira Art Gallery “IT ́s not here” 2017 Off the wall / serie Golden Bitches/Beaches>(march 9) Galeria Artium-Miami,Usa 2016 ”Razones para la venganza” Galeria Artium-Miami,Usa. 2015 "Out Doors", Gallery Latam Santiago-Chile. 2013 "Coming down like flies" Latam Gallery Santiago, Chile. 2012 "Coto de Caza" Artium Gallery, Santiago, Chile. 2010 "Reasons for permanecia" Praxis Gallery, Santiago, Chile. 2009 "Fissure postcard" fifhy one Dot Gallery, Miami USA. 2008 "Connotations Sinister Galeria Trece, Santiago-Chile. 2007 "From the periphery to the center" Gallery 000 ", Santiago-Chile. 2005 "Lost Time" Gallery Forest, Consepcion- Chile. 2006 "Permanent Revolution" Artium Gallery, Santiago-Chile. 2005 Providencia Santiago Chile-Cultural Center, “Carrera” 2004 "personal mythologies", Praxis Gallery, Santiago-Chile GROUP EXHIBITIONS 2019 West palm Beach Art...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...

Archival pigment print on hahnemühle Fine Art Paper. Contemporary Photography, Photomontages, Birds, Landscape Photography. Work Title : "Congregation" Artist : Suzanne Moxhay The wo...

Artist: Vahe Yeremyan Work: Print on Paper, Subject: Ocean Cliffs, Framed Size: 1.5" x 20.5" x 0.5''inch, 42x52x2cm, Ready to Hang, Metal Frame with the ...