Desire Guilmard

Le Garde Meuble: Collection de Sieges [Seating]; Livraison 286, No. 1699

Antique lithograph from Le Garde-Meuble, Ancien et Moderne, a French Decorative Arts and Decor periodical. Lithography by Queton after E. Maincent. Published by E. Maincent Rue de Lancry, 2. Paris, c. late 19th century Desire Guilmard...

Signed vintage lithograph of a floral still life by Polish-born Ira Moskowitz (1912 - 2001), who emigrated at the age of 15 from Europe to New York where ...

Giclee print after William H. Brown (1803-1883) lithograph from “Portrait Gallery of Distinguished American Citizens with Biographical Sketches and Fac-Similies of Original Letters”....

Early 20th century signed etching by Axel Herman Haig (1835-1921), an architectural watercolorist and etcher. Finding employment with noted Gothic Revival architecture William Burge...

Giclee print of lithograph from “Portrait Gallery of Distinguished American Citizens with Biographical Sketches and Fac-Similies of Original Letters”, by William H. Brown (1808-1883)...

Architectural drawing showing facade, floor plans, and partial cross section showing stairwell of 2 story classically designed building.

British Pop artist Harvey Daniels created this image in 1970 in a small edition of 20. This impression is #2 His work has described by art historian Norbert Lynton as a “visual carni...

Andre Minaux, French (1923–1986) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of EA Image Size: 22.5 x 16.5 inches Frame Size: 34 x 27 in...

STILL LIFE WITH GRAPES is an original hand drawn, limited edition lithograph by the American artist Lowell Nesbitt (b.1933-1993). Printed on archival Arches paper, 100% acid free using hand lithography techniques. STILL LIFE WITH GRAPES is a modern fruit still life depicting two bunches of plump green and red grapes, and green pear displayed on an Southwest style textile with Aztec pattern as a background. Vivid color combination of warm red, black, gray, yellow gold, light green, purple, burgundy and white. Outstanding visually appealing colors, classic still life composition, very fine impression, pencil signed by the artist. Print size - 21.5 x 28.25 inches, unframed, excellent condition Edition size - 175 Year published - 1978 Lowell Blair Nesbitt (October 4, 1933 - July 8, 1993) was an American painter, draughtsman, printmaker, and sculptor. He studied at Tyler School of Art at Temple University in Philadelphia and at the Royal Academy of Arts in London. Nesbitt worked in abstraction until Robert Indiana suggested in the early 1960s that he explore realism in his paintings. As subjects for his work he favored studio interiors, articles of clothing, piles of shoes, his Rottweiler, the Neo-Classical facades of 19th century cast iron buildings, and Manhattan's bridges. He was also famous for his enormous paintings and prints of roses, lilies, irises, and other flowers. He served as the official artist for the NASA Apollo 9, and Apollo 13 space missions; in 1976 the United States Navy commissioned him to paint a mural in the administration building on Treasure Island spanning 26 feet x 251 feet, then the largest mural in the United States; and in 1980 the United States Postal Service honored Lowell Nesbitt by issuing four postage stamps depicting his paintings. His first solo exhibition was mounted at the Baltimore Museum of Art in 1958 and during his lifetime he had more than 130 solo exhibitions of his work at various galleries, museums, and universities, including the Corcoran Gallery of Art, Kent State University, the McNay Art Museum, the Butler Institute of American Art, the Burpee Art Museum, and the Tyler Gallery...

COMPOSITION RED is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed using traditional hand lithography techniques on archival printmaking pap...

CHINESE VASE is a hand drawn limited edition lithograph by the renowned American jazz and traditional pop singer Tony Bennett. CHINESE VASE, an interior still life scene depicting li...

"Crystal and Jade" Still Life Lithograph in Ink on Paper Delicate and detailed lithograph of a crystal glass and jade vase by John Taylor Arms (American, 1887-1953). On the left side of the composition, there is a crystal martini glass, with intricate designs. Next to it is a jade vase or urn, with a carved surface. They are sitting on an ornate tablecloth, with a strand of beads, possibly a rosary. Numbered ("VI"), inscribed with a dedication ("To Georgiana Brewer and Jasper S. Mathews Jr from Dorothy and John Taylor Arms"), signed ("John Taylor Arms"), and dated ("1940") along the bottom edge. Presented in a wood frame with an off-white mat. Frame size: 16.5"H x 14.75"W Image size: 8.5"H x 7.25"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...