Pablo PicassoLe Viol II1933
1933
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1933
- Dimensions:Height: 7.68 in (19.5 cm)Width: 10.87 in (27.6 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Wien, AT
- Reference Number:1stDibs: LU1782214111982
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
- ShippingRetrieving quote...Ships From: Wien, Austria
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Untitled, 1971By Pablo PicassoLocated in Wien, 9- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982Category
1970s Modern Figurative Prints
MaterialsEtching, Drypoint
- Le peintre au cirqueBy Pablo PicassoLocated in Wien, 9- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910Category
1970s Modern Figurative Prints
MaterialsDrypoint, Etching
- Sculpture et Sculpture 6/10By Pablo PicassoLocated in Wien, 9Between 1964 and 1965, Picasso created 10 aquatint etchings that were published as a supplement to Pierre Reverdy's literary work "Sable Mouvant". A stri...Category
1960s Modern Figurative Prints
MaterialsAquatint
- HerzklopfenBy Arik BrauerLocated in Wien, 9Etching and aquatint in colour on chamois-coloured wove paper, printing plate size approx. 25.8 x 20.8 cm, sheet size approx. 54.8 x 41.8 cm, handsigned on the lower right, numbered ...Category
1960s Contemporary Figurative Prints
MaterialsAquatint, Etching
- Maison close. Bavardages, avec perroque, Célestine, et le portrait de DegasBy Pablo PicassoLocated in Wien, 9- stampsignature on the lower right - numbered 27/50 lower left - dated in the plate dimanche 4. avril 1971 - Plate 109 from the Suite 156 - cat.raisonné Blo...Category
1970s Modern Figurative Prints
MaterialsEtching
- La fête de la patronne, petit chien, fleurs et potins, portrait de Degas au murBy Pablo PicassoLocated in Wien, 9- signed on the lower right - dated in the plate in reverse: 17.5.71 - numbered on the lower left: 42/50 - plate 129 from the Suite 156 - cat. raisonné Bloch...Category
1970s Modern Figurative Prints
MaterialsEtching
- San Marco [Venice].By William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTWilliam Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Chelsea Old Church, LondonBy William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTChelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Ludgate HillBy William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTLudgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Charing Cross - The Statue of Charles I.By William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTCharing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Your Day in Court, from the portfolio Wisconsin GraphicsBy Warrington ColescottLocated in New York, NYWarrington Colescott Your Day in Court, from the portfolio Wisconsin Graphics, 1971 Drypoint, etching, aquatint, woodcut, & soft-ground etching, w roulette, vibrograver, letterpress plate, & relief rolls through stencils Hand signed, dated (lower right) and numbered (lower left) artist proof by the artist. 30 x 22 inches Unframed "Your Day in Court" depicts an intensely crazy chaotic, colorful courtroom scene...Category
1970s Modern Figurative Prints
MaterialsDrypoint, Etching, Aquatint, Woodcut
- Painter and Model with Necklace (B.1389), 1966By Pablo PicassoLocated in Greenwich, CT"Painter and Model with Necklace" is an intaglio print on paper, comprised of etching, aquatint and drypoint technique. The image size is 11.5 x 14.75 inches and the framed size meas...Category
20th Century Modern Prints and Multiples
MaterialsDrypoint, Aquatint
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