Items Similar to Blue Collograph with Horns
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Noche CristBlue Collograph with Horns1970s
1970s
About the Item
Appealing collograph Intaglio work by Noche Crist (1909- 2004). Unsigned from the 1970s but one of a kind and handprinted by the artist on thick paper. Catalogue of a postumous retrospective in 2008 at the American University Museum Katzen Arts Center in Washington D.C. is included.
The Romanian born, self-taught artist is known for her acrylic paintings on wood panels and shaped transparent polyester resin sculptures that create images reminiscent of her childhood at her family's country estate outside Bucharest. Her works depict dreamlike, surreal scenes of partially dressed women posing seductively in opulent, sometimes fantastical settings. In other paintings and panels, she portrays bare-breasted women and felines sensually intertwined. Noche Crist was well known not only for her paintings and sculptures but also her storytelling and entertaining that helped turn her into a legendary figure in the Washington D.C. art scene. Her works gained a following among art patrons, including Olga Hirshhorn, one of Washington's leading art collectors.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2020
40 sales on 1stDibs
- ShippingRetrieving quote...Ships From: Washington, DC
- Return PolicyA return for this item may be initiated within 14 days of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- "Sitting Bull Goes To Washington"Located in Washington, DCSilkscreen work by Noche Crist (1909- 2004). Work is from from her "Sitting Bull Goes to Washington" series. Marked in pencil 15/18 lower left. Printed in 1976 by the artist. Catalo...Category
1970s Outsider Art Figurative Prints
MaterialsPaper
- Surreal Artwork "The Worshiper of a Beautiful Watering Can", 1965Located in Washington, DCWonderful original surreal artwork by German artist Piet Morell (b.1939). Titled in German "The Worshiper of a Beautiful Watering Can". Signed bottom right. Work is B&W pencil on ...Category
1960s Surrealist More Prints
MaterialsPaper, Pencil
- André Masson "Judith and Holofernes", 1974By André MassonLocated in Washington, DCSigned color lithograph by French artist André Masson (1896-1987). Title of work is Judith and Holofernes. Work is signed and numbered 74/150 in ...Category
1970s Abstract Abstract Prints
MaterialsArchival Paper
- "Succubus Festival"Located in Washington, DCSilkscreen work by Noche Crist (1909- 2004). Marked in pencil 7/9 lower left. Printed in 1974 by the artist. Image is from her "Succubus Festival" series. Catalogue of a postumous re...Category
1970s Outsider Art Nude Prints
MaterialsPaper
- Year of the RamLocated in Washington, DCSilkscreen work by Noche Crist (1909- 2004). Marked in pencil 3/15 lower left. Printed by the artist in the 1970s. Image is from her Year of the Ram series...Category
1970s Outsider Art Nude Prints
MaterialsPaper
- "Carousel"Located in Washington, DCSilkscreen work by Noche Crist (1909- 2004). Marked in pencil 28/30 lower left. Printed in 1973 by the artist. Image is from her "Carrousel" series. Catalogue of a postumous retrospe...Category
1970s Outsider Art Animal Prints
MaterialsInk, Paper
You May Also Like
- The Gun, intaglio print from copper plate, chine-collé with Japanese paperLocated in Toronto, OntarioTHE GUN by Rocky Dobey is an intaglio print from an acid-etched copper plate, chine-collé with Japanese paper on archival Hahnemuhle paper, mounted...Category
21st Century and Contemporary Outsider Art Figurative Prints
MaterialsGlass, Paint, Archival Paper, Handmade Paper, Engraving, Etching, Intaglio
- Statue of Liberty by Vick VibhaLocated in Long Island City, NYStatue of Liberty by Vick Vibha Date: 1978 Screenprint, signed and numbered in pencil Edition of 150, AP 20 Size: 26 in. x 20 in. (66.04 cm x 50.8 cm)Category
1970s Folk Art Figurative Prints
MaterialsEtching
- TrappedBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...Category
1960s Outsider Art Figurative Prints
MaterialsEtching
- Eagle's NestBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print: “The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...Category
1970s Outsider Art Prints and Multiples
MaterialsRag Paper, Etching, Aquatint
- Naive Lithograph Paris Train Station Wedding Party, Honeymoon Scene Folk ArtLocated in Surfside, FLHand signed, limited edition on BFK Rives French art paper. I believe the title is Honeymoon. Jan Balet (20 July 1913 in Bremen – 31 January 2009 in Estavayer le Lac, Switzerland), was a German/US-American painter, graphic artist and illustrator. Affected by the folk art style of naive art he worked particularly as a graphic artist and as an Illustrator of children's books. His works exhibit a dry wit and refreshingly candid, whimsical, satirical view of life. His uncle was the famous painter and illustrator Benno Eggert. Many well-known personalities of the time were friends of his grandfather, i.e. the painters Hans Purrmann, Karl Caspar, Maria Caspar-Filser (cousin of his mother), the writer Martin Andersen Nexo, the Swabian poet Wilhelm Schussen as well as the poet and writer Oskar Wöhrle. In 1929, at the age of 17, he moved to Berlin at the invitation of his father and studied Drawing at the college of Arts and Crafts (Kunstgewerbeschule Ost am Schlesischen Bahnhof). A year later, he went to live with his mother and his grandmother, in Munich. Balet transferred his studies to the Munich College of Arts but was dismissed in 1932. He went on to study with Professor Ege, at a private school for commercial art. During this time he also worked at an institute for lithography and for the art gallery Wallach. Balet rented his first small studio at the age of nineteen, where he manufactured and sold hand colored Bavarian woodcuts. 1934 he passed the entrance examination to the Akademie der Bildenden Künste München and undertook further studies with Olaf Gulbransson. His work is of a popular style similar to Michel Delacroix, Charles Fazzino and James Rizzi. In early 1938 Balet was recruited by the German military and because his ancestor's passport was not complete, he was forbidden to associate further with the Akademie der Bildenden Künste München. Later that year Balet emigrated to the USA, settled in New York and painted rustic furniture for a living. One winter he jobbed as a skiing teacher in Vermont and occasionally jobbed as an advertising commercial artist. Among other projects, he painted the cafeteria of the largest of New York's department stores R.H. Macy. From time to time Balet's designs appeared in the fashion magazine Mademoiselle and in 1943 he became Art Director at the magazine. Balet became so successful as a commercial artist that he was able to give up paid employment and start his own business. He worked for the radio station CBS, magazines such as Vogue, House and Garden, House Beautiful, The Saturday Evening Post, Glamour, Good Housekeeping, This week. After the war ended in 1945 he acquired U.S. citizenship. Balet commuted between his studio in New York and an old, boat house in the dunes of Montauk, Long Island, which he had converted to a studio where he painted and drew. His first children's book Amos and the Moon was published in 1948. Despite what was regarded in the USA as fashionable art Abstract, Op-art and Pop Art, Balet continued to paint in his own naif style. Art work (Children books and sketchbooks) 1948 Amos and the moon, Henry Z. Walck Verlag New York 1949 Ned, Ed and the lion 1951 What makes an orchestra 1959 The five Rollatinis, J. B. Lippincott Co. Verlag New York 1965 Joanjo, Pharos Verlag Basel 1966 Das Geschenk Eine portugiesische Weihnachtsgeschichte, Betz-Verlag München 1967 Der König und der Besenbinder, Betz-Verlag München 1969 Der Zaun, Otto Maier Verlag München 1969 Ladismaus, Betz-Verlag München 1979 Ein Skizzenbuch, Windecker Winkelpresse 1980 Katzen-Skizzen, Windecker Winkelpresse 1981 Skizzen-Paare, Windecker Winkelpresse 1981 Die Leihkatze oder Wie man Katzen lieben lernt, Windecker Winkelpresse (Author: Otto Schönberger) 1982 Paris-Skizzen, Windecker Winkelpresse 1984 Hellas-Skizzen, Windecker Winkelpresse 1993 Wasser-Skizzen, Edition Toni Pongratz 1994 Die Zeppeline des Jan Balet, Zeppelin-Museum Friedrichshafen (Taschenbuch) 2008 Angekommen: Gedichte (Author: Hans Skupy) Publicationen, which Jan Balet illustrated 1945 Alarcon, P.A.: Tales from the Spanish, Allentown 1948 Hanle-Zack, D.: The golden ladle, Chicago-New York 1952 Wing, H.: Rosalinda, Chicago 1953 Wing, H.: The lazy lion...Category
20th Century Folk Art Figurative Prints
MaterialsLithograph
- Mother Goose - Screenprint by Maurice SendakBy Maurice SendakLocated in Long Island City, NYA traditional children's illustration-style print of Mother Goose, sitting on a stack of books and writing down stories on a scroll. She is elaborately dr...Category
1990s Folk Art Figurative Prints
MaterialsScreen