Filippo Ceccacci

Composition - Etching - Late 20th Century

Late 20th Century

Composition is an original colored etching artwork on cardboard realized by Leo Guida. Hand-signed in pencil on the lower right. titled and numbered on the lower left, edition 2/3....

Composition is an original colored etching artwork on cardboard realized by Leo Guida. Hand-signed in pencil on the lower right. titled and numbered on the lower left, edition 1/3....

Landscape is an original Etching realized by Enrico Paulucci in mid-20th Century. Good condition. Sigled and numbered by the artist with pencil. Enrico Paulucci or Paulucci delle ...

"Musical Notes" is a beautiful collage in etching technique, realized by Tommaso Cascella (Ortona,1890-Pescara,1968). Numbered 49/100. Original Hand signed in pencil, on the lower right. Image Dimensions: 23.5 x 16 cm This print represents a musical notes, beautiful composition. Tommaso Cascella (Ortona,1890-Pescara,1968): Italian Painter and ceramist. Already in 1904 Cascella entered D'Annunzio's circle with Basilio, working in the lithography of Pescara to create the graphics for the Abruzzese magazine L'Illustrazione (1899-1907). From the early period of Pescara, various watercolors depicting life in the small Portanuova, scenes of fishing on the river, and images of the former Bourbon fortress are remembered by Tommaso. Tommaso Cascella made his debut in 1906 at the National Exhibition of Fine Arts in Milan with his brother Michele Cascella, exhibiting 42 pastels to regional subjects, which were then also exhibited in Rome and Florence. In Florence his first works were successful, and he set up the exhibition "Artistic family", always with a typically Abruzzese subject. Thus Tommaso was able to participate in the 3rd Exhibition of Italian artists in Florence in 1907-1908, then in the Rome Exhibition...

Moses is an original etching on paper realized by Gian Paolo Berto, in 1974. Good conditions . Hand-signed with and numbered on the lower left. edit...

Cathedral is an original etching artwork realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000). From the edition of 125 copies. Image Dimensions: 34.5 x 49 cm The sta...

Face Minerale (Diptych) by James Coignard, French (1925–2008) Date: 1991 Carborundum Etching, Signed and numbered in pencil Edition of HC 2/10 Image Size: 25.5 x 20 in. (64.77 x 50.8...

Hommage by Johnny Friedlaenderm German (1912–1992) Date: circa 1965 Aquatint, signed in pencil Edition of EA Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Frame Size: 36 x 28.5 inches

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", recently presented in the Danubiana Meulenstein Art Museum in Bratislava.

Stanley William Hayter, 'Danse du Soleil (Danseuse du Soleil; Sun Dance; Sun Dancer)', color engraving, soft-ground etching and scorper; 1 of 10 artist's proofs, edition 200, 1951, Black & Moorhead 197. Signed and annotated 'Epreuve d’Artiste II/XII' in pencil. Inscribed 'Pour Nesto Jacometti avec amitié' in pencil, in the artist’s hand. A superb, richly-inked impression, with fresh colors, on handmade Arches cream wove paper; full margins (2 3/4 to 4 inches), in excellent condition. Image size 15 7/16 x 9 7/16 inches; sheet size 22 1/4 x 15 inches. Matted to museum standards, unframed. Printed by Hayter and Atelier 17. Published by La Guilde Internationale de la Gravure, Geneva. Impressions of this work are in the permanent collections of the British Museum and the Yale University Art Gallery. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Charing Cross at Night. 1909. Mezzotint. Wuerth 510. 11 7/8 x 10 (sheet 15 x 10 3/4). Edition probably 30. Printed on 'Rome'cream laid paper, probably fr...

Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $875. 26 Broadway" is the home of the Standard Oil...