Cy Twombly

Untitled -- Screen Print, Lithograph, Abstract, Contemporary Art by Cy Twombly

1973

Lee Bontecou Untitled, 1973 Lithograph, on rag paper Signed and numbered from the edition of 300 With the artist's copyright inkstamp verso From The New York Collection for Stockhol...

Field, 2007 Antony Gormley Lithograph, on 300g. Velin d’Arches paper Signed and numbered from the edition of 40 Published by Edition Copenhagen, Copenhagen Sheet: 79 × 116.5 cm (31...

Clearing II, 2007 Antony Gormley Lithograph, on 300g. Velin d’Arches paper Signed and numbered from the edition of 40 Published by Edition Copenhagen, Copenhagen Sheet: 78 × 114 cm...

Floor, 2007 Antony Gormley Lithograph, on 300g. Velin d’Arches paper Signed and numbered from the edition of 40 Published by Edition Copenhagen, Copenhagen Sheet: 69 × 100 cm (27.2...

Louise Nevelson Untitled, 1973 Screenprint with varnish additions, on rag paper Signed and numbered from the edition of 300 With the artist's copyright inkstamp verso From The New Y...

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Abstract composition is a beautiful color serigraph and lithograph on paper, realized by the Italian artist Enzo Brunori (Perugia, 1924 - Rome, 1993). Hand-signed and numbered in pe...

Author: Red Grooms (United States, 1937) Title: 'Brooklyn bridge bustle', 2002 Medium: Print. Technique: Lithograph on paper Size Image: 22 x 30 in. (55 x 76 cm.) Size Sheet: 27 x 3...

Hand signed rf Lichtenstein and dated '81 in pencil lower right margin. Blindstamp lower left Washington University Printmaking Workshop chop. N...

Shusaku Arakawa The Degrees of Meaning, from Realities and Paradoxes, 1973 Color Lithograph and Silkscreen Hand signed, numbered from the edition of only 100 and dated on the front (lower right hand corner). Bears the Styria Studio blind stamp Frame Included Hand signed, numbered from the limited edition of only 100 and dated on front lower right hand corner with blind stamp. This work is from the Realities and Paradoxes portfolio. It is classic Arakawa - an important example of his way of displacing sometimes cryptic words onto images as a form of artistic philosophy and performance. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...

Robert Irwin Cacophonous (hand signed by Robert Irwin), 2015 Softback exhibition catalogue with stiff wraps (hand signed by Robert Irwin) Hand signed by Robert Irwin on the title pag...

The Seven Days of Bardo Thodol 4 is an original litograph and screen print realized by Michele Canzoneri (1977). The artwork is part of a collection...