André MassonFemme1962
1962
About the Item
- Creator:André Masson (1896-1987, French)
- Creation Year:1962
- Dimensions:Height: 13.78 in (35 cm)Width: 16.74 in (42.5 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
André Masson
Born in 1896 in Balagny-sur- Thérain, a small village in France, André Masson spent most of his youth in Brussels, Belgium working as a pattern maker at an embroidery atelier. Masson began his schooling in 1907 at the Académie Royale des Beaux-Arts in Brussels. In 1912, he relocated to Paris, where he attended the École des Beaux-Arts. In 1914, the artist was called to military duty for the First World War, where he was severely wounded and sent back to Paris. Much of Masson’s work is influenced by this trauma; his drawings and paintings executed during the 1920s represent battle scenes, blood, death, birds and fish. The strange realities of trench warfare and the immediate contiguity of life and death are drawn upon, and his imagery suggests a confrontation of life at an abnormal level of experience. His signature style deals with violence, evident in terrifying, fragmented figures, which reflect the horrors of the Spanish Civil War and WWII, as well as his troubled psyche in the aftermath of his service in WWI.
After WWI, Masson moved to the South of France, where he met Juan Gris, André Derain, Joan Miró and André Breton. Breton championed the Surrealist Manifesto and Masson joined in the group exhibition of the first Surrealists. An iconoclast, whose abrupt stylistic transitions defy classification, Masson also explored automatism (automatic drawing), a process that sought to express the creative force of the unconscious. These automatic drawings had no preconceived subject or composition. Like a medium channeling a spirit, Masson let his pen travel rapidly across the paper without conscious control. He soon found hints of images, fragmented bodies and objects, emerging from the abstract, lacelike web of pen marks. At times, Masson elaborated on these with conscious changes or additions, but he left the traces of the rapidly drawn ink mostly intact. Masson’s oeuvre explores several techniques of painting, drawing and sculpture and displays rich, colorful abstraction as well as monochrome imagery and automatic linear representations. An early Surrealist and student of Cubism, Masson went on to inspire the New York Abstract Expressionists. Masson developed a technique of automatic painting that retained the element of chance; he dripped glue onto paper to form drawings and then covered it with sand. These ‘sand paintings’ are unquestionably his most iconic style.
When Masson emigrated to the U.S. in 1939, he strongly influenced several American painters with this technique, the most evident example being Jackson Pollack. After his time in America, he returned to Europe and while living in Spain during the mid-1930s, he became enraptured with Spanish themes—bullfights, matadors and Spanish mythology. Masson finally settled down in France (Aix-en-Provence), where he took up a late interest in impressionistic landscape, but he ultimately came to a place where he painted nearly exclusively abstract images. Masson dedicated his life as an artist to encouraging the non-rational purpose in art, to the direct transference of subconscious thought and to the primal forces of conflicts that he experienced in the trenches of World War One. Masson sought to convey in his work a deeper reality of man’s behavior, his own complex personal imagery, and his belief that painting is not a matter of developing style but a part of life itself.
- ShippingRetrieving quote...Ships From: Roma, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Composition - Etching by W. Freddie - 1961By Wilhelm FreddieLocated in Roma, ITComposition is an original black and white etching on paper, realized by Wilhelm Freddie (born Christian Frederik Wilhelm Carlsen Carlsen), a danish abstract and Surrealistic Artist,...Category
1960s Surrealist Abstract Prints
MaterialsEtching
- Journal d'un Graveur - Vol. 2 Plate 13 - Etching by J. Mirò - 1975By Joan MiróLocated in Roma, ITThis is an original drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents an abstract ...Category
1970s Surrealist Abstract Prints
MaterialsDrypoint, Etching
- Journal d'un Graveur - Vol. 2 Plate 10 - Etching by J. Mirò - 1975By Joan MiróLocated in Roma, ITThis is an original etching and drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represent...Category
1970s Surrealist Abstract Prints
MaterialsDrypoint, Etching
- Journal D'Un Graveur - Vol. 2 Plate 5 - Etching by J. Mirò - 1975By Joan MiróLocated in Roma, ITThis is an original etching and drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represents ...Category
1970s Surrealist Abstract Prints
MaterialsDrypoint, Etching
- Journal d'un Graveur - Etching by J. Mirò - 1975By Joan MiróLocated in Roma, ITHand signed and numbered. Edition of 85 prints. Very good conditions. Ref: Joan Miró. Catalogue raisonné des livres illustrés, Patrick Cramer Editeur, 1989, n. 200/17Category
1970s Surrealist Abstract Prints
MaterialsEtching
- Untitled - Etching by Sebastian Matta - 1970sBy Sebastian MattaLocated in Roma, ITHand Signed. Original color etching and aquantint. Edition of 63/100. Very good condition.Category
1970s Surrealist Abstract Prints
MaterialsEtching
- Spanish Artist Santi Moix Aquatint Etching Ed 2/3 Surrealist Abstract SymbolsBy Santi MoixLocated in Surfside, FLMoix, Santi (Spanish, b. 1960), Figural Abstraction, hybrid print with etching and aquatint, 23.5 x 16.75 inches, pencil signed and numbered 2/3. Santi Moix (Barcelona, 1960) lives ...Category
20th Century Surrealist Abstract Prints
MaterialsEtching, Aquatint
- Ernst Fuchs Sphinx Mystagoga Surreal Color Etching Vienna Fantastic Realism 1967By Ernst FuchsLocated in Meinisberg, CHErnst Fuchs (Austrian, 1930 - 2015) The Sphinx Mystagogo Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...Category
1960s Surrealist Abstract Prints
MaterialsPaper, Ink, Aquatint, Etching
- LA SORCIERE - (The Witch)By Kurt SeligmannLocated in Santa Monica, CAKURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...Category
1930s Surrealist Figurative Prints
MaterialsEtching, Aquatint
- House with Stag's Head from Brodsky and Utkin: Projects 1981 - 1990By Alexander Brodsky and Ilya UtkinLocated in Long Island City, NYArtist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: House with Stag's Head from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper,...Category
1990s Surrealist Abstract Prints
MaterialsEtching
- L'ergofrage (Naufrage du Titanic), Aquatint Etching by Roberto MattaBy Roberto MattaLocated in Long Island City, NYArtist: Roberto Matta Title: L'ergofrage (Naufrage du Titanic) from Hom'mere III - L'Ergonaute Date: 1976-77 Medium: Aquatint etching on Japon, signed and numbered in pencil Edition...Category
1970s Surrealist Abstract Prints
MaterialsEtching, Aquatint
- JoyBy Valton TylerLocated in Dallas, TXIn The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...Category
20th Century Surrealist Abstract Prints
MaterialsEtching