E2 - Kleinveld & JulienOde to Van Gogh's 'Self-Portrait with Bandaged Ear and Pipe'2023
2023
About the Item
- Creator:E2 - Kleinveld & Julien (American)
- Creation Year:2023
- Dimensions:Height: 36 in (91.44 cm)Width: 32.1 in (81.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU105211858112
E2 - Kleinveld & Julien
As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present.
Kleinveld and Julien were introduced when each showed photographs in the traveling exhibition, “Before (During) After: Louisiana Photographers Respond to Hurricane Katrina,” for the storm’s five-year anniversary in 2010. They quickly realized a shared interest in matters of social justice and racial and socioeconomic inequality, which this natural and man-made disaster had brought into focus. Soon after, they began working together on In Empathy We Trust, an evolving photographic project seeking to examine contemporary social issues through the lens of art history.
The journey from the original germination of an idea to a completed E2 photograph is long and complex, often taking six months to a year. Both pre-production and the shoots themselves take place on two continents, as Julien lives in New Orleans while Kleinveld resides in Amsterdam. As such, the planning and execution of their shoots involve months of collaboration, with countless emails and phone calls exchanged. Kleinveld and Julien begin their process with online research and by visiting museums throughout the United States and Europe, searching for compelling images that resonate with our contemporary experience. They then seek to change the context of these images, replacing the original figures with contemporary stand-ins from all races and backgrounds, to more accurately reflect the diversity of the world around them.
Once an image is selected to be “remade with a twist,” they begin to find sitters (preferring artists, actors, and friends rather than models) representing a wide range of marginalized groups — African-American, Asian-American, LGBT — who have not seen themselves equally represented in media and art. After sitters have been selected, E2 begins the work of sourcing costumes. Their European shoots have involved costumes from the Dutch National Theatre in Amsterdam, Dutch costume maker Bert Nuhaan and Studio Pietro Longhi in Venice, while their hometown shoots in New Orleans are a bit less glamorous, seeing them employ sources varying from thrift stores to friends’ closets.
The photographs themselves are the product of careful planning and production rather than chance — more Gregory Crewdson than Diane Arbus. Each shoot is a carefully orchestrated production, featuring up to a dozen sitters, as well as lighting, costume, staging and more. Kleinveld and Julien’s work as E2 sees them each taking on a myriad of roles, from auteur to producer to subject. The finished product is a result of intense collaboration and teamwork, with both Julien and Kleinveld taking turns behind the camera. After the shoots are completed, the work of post-production begins, where extensive digital collaging of subjects and background is often required. They often employ artists such as Italian painter Marco Ventura to hand-paint the backgrounds of their images, further blurring the lines between both photography and painting, and present and past.
In a world that is becoming increasingly stratified along religious, cultural, economic, and ethnic lines, E2’s photographs apply a new interpretation of icons from the past, making them more inclusive for the multicultural world we live in. E2 does not seek to make demands, but to pose questions: why shouldn’t Vermeer’s Girl with a Pearl Earring be Asian? Why can’t the iconic image Washington Crossing the Delaware be adapted to show the first President as an African-American woman? For it is in these answers that we find the lingering doubts and biases that we often do not dare to acknowledge.
Find original E2 photography and prints on 1stDibs.
(Biography provided by Jonathan Ferrara Gallery)
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Blue Left EarBy Trenity ThomasLocated in New Orleans, LAedition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...Category
21st Century and Contemporary Contemporary Figurative Photography
MaterialsArchival Pigment
- AlignBy Trenity ThomasLocated in New Orleans, LAedition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...Category
21st Century and Contemporary Contemporary Figurative Photography
MaterialsArchival Pigment
- Blue MovesBy Trenity ThomasLocated in New Orleans, LAedition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...Category
21st Century and Contemporary Contemporary Figurative Photography
MaterialsArchival Pigment
- See You ClearBy Trenity ThomasLocated in New Orleans, LAedition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...Category
21st Century and Contemporary Contemporary Figurative Photography
MaterialsArchival Pigment
- Blue Right EarBy Trenity ThomasLocated in New Orleans, LAedition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...Category
21st Century and Contemporary Contemporary Figurative Photography
MaterialsArchival Pigment
- Blue Left EarBy Trenity ThomasLocated in New Orleans, LAedition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...Category
21st Century and Contemporary Contemporary Figurative Photography
MaterialsArchival Pigment
- Loading Zone, Color Photograph, Archival Pigment Ink Print, signed and numberedBy Julie BlackmonLocated in Sante Fe, NMLoading Zone is from Julie Blackmon's ongoing series Domestic Vacations. Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used to...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
- Large Vintage Photo Print Digital Photograph Some People of Kuwait, Arabic WomanBy Jack ButlerLocated in Surfside, FLSOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...Category
Early 2000s Contemporary Abstract Photography
MaterialsArchival Paper, Archival Pigment
- Against me, Garment District NY.By Haik KocharianLocated in Hudson, NYBlack and white, man, abstract, hand, wall, brick, abstract photography, photography, B&W, archival pigment print Listing is for UNFRAMED print. Inquire within for framing. Edit...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsArchival Pigment
- Houston Street, NYBy Haik KocharianLocated in Hudson, NYBlack and white, urban, architecture, men, man, weather, snow, New York, New York City, street, winter, car, figurative, photo, photography, film photography, b&w, winter, street pho...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsArchival Pigment
- Markus Klinko - The Book, Photography 2001, Printed AfterBy Markus KlinkoLocated in Greenwich, CT"Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today's most iconic stars of film, music, and fashion. Kli...Category
Early 2000s Contemporary Color Photography
MaterialsDigital, Archival Pigment
- Raphael Macek - Reverentia, Photography 2015, Printed AfterBy Raphael MacekLocated in Greenwich, CTArchival Pigment Print Under Acrylic Glass All available sizes and editions: 60" x 40", Edition of 15 72" x 48", Edition of 15 80" x 55", Edition of 15 92" x 60", Edition of 10...Category
2010s Contemporary Figurative Photography
MaterialsPhotographic Paper, Digital, Archival Pigment, Digital Pigment