Items Similar to West Texas: Full Moon over the Chisos Mountain, Big Bend National Park

Auction

David Burdeny - "Amore, Paris, France" Contemporary Architectural Framed Photograph on Aluminum

Kevin O'Connell - Untitled (FT #1890)

Edward Bateman - Mount Watkins Sunset No. 1 (with 3D printed landscape)

Steve Fitch - On the Tucson to Nogales highway, Greyhound Motel, Tucson, Arizona; December 30,

David H. Gibson - Sunrise Sequence, August 27, 2016, 8:59:35 AM Eagle Nest Lake New Mexico

Want more images or videos?

Request additional images or videos from the seller

1 of 5

Peter Brown
West Texas: Full Moon over the Chisos Mountain, Big Bend National Park
2006

Name: West Texas: Full Moon over the Chisos Mountain, Big Bend National Park
Brand: Peter Brown
Price: 2900 USD
Availability: InStock

About the Item

West Texas: Full Moon over the Chisos Mountain, Big Bend National Park by Peter Brown is listed as a 16 x 24 inch archival pigment print, with the paper size being 22 x 26 inches. This photograph is signed and numbered in black ink on print margin by Peter Brown. This size is available in an edition of 25, with more sizes available. This photograph is from Peter Brown's series, Hometown Texas. West Texas: Full Moon over the Chisos Mountain depicts a desert landscape at dusk, with a full moon rising over the mountains. The last light of the setting sun hits the distant mountain range, and wispy clouds pass over the bright moon. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley, Kent Haruf, Denise Levertov and Susan Wood. In Houston, he is on the Advisory Board of The Houston Center for Photography, and the Art Board for Fotofest. He teaches photography and is on the Board of the Glasscock School of Continuing Studies at Rice University.

Creator:

Peter Brown (1948, American)

Creation Year:

2006

Dimensions:

Height: 22 in (55.88 cm)Width: 26 in (66.04 cm)Depth: 0.1 in (2.54 mm)

More Editions & Sizes:

16 x 20 in., Edition of 25Price: $2,30028 x 35 in., Edition of 25Price: $4,60032 x 40 in., Edition of 25Price: $5,80036 x 45 in., Edition of 25Price: $6,300

Medium:

Archival Pigment

Movement & Style:

Contemporary

Period:

21st Century

Condition:

Gallery Location:

Dallas, TX

Reference Number:

1stDibs: LU2152548923

View Invoice

Shop All Peter Brown

Peter Brown

Peter Brown has photographed the open landscape and small towns of the High Plains for the past thirty years. He lives in Houston with his wife Jill Fryar. He often collaborates with writers and is the author of Seasons of Light, with Denise Levertov, On The Plains, with Kathleen Norris, West of Last Chance with Kent Haruf, Habiter L’Ouest with John Brinckerhoff Jackson and Hometown Texas, with Joe Holley. An English language version of Habiter L’Ouest, (To Live in the West) will be published in 2019. His work has been collected by and exhibited in a variety of museums including the Menil Collection in Houston, the Museum of Fine Arts, Houston, The Museum of Modern Art in New York, The Los Angeles County Museum of Art, the Getty Museum, The Amon Carter Museum, the Stanford Museum and the San Francisco Museum of Modern Art among others. He has been the recipient of an Individual Artist's Fellowship from the National Endowment for the Arts, the Alfred Eisenstaedt Award, the Dorothea Lange-Paul Taylor Prize, the Imogen Cunningham Award, and grants from the Graham Foundation and the Arts Alliance of Houston. Brown’s photography and writing have appeared in many journals, including Harpers, DoubleTake, Life, PDN, The New Yorker, Aperture, American Photographer, Texas Monthly, 5280, The New York Times Magazine and SPOT. He has a BA in English and an MFA in Art from Stanford University and has taught at both Stanford and at Rice where he now teaches at the Glasscock School. He was named Photographer/Educator of the year by Houston Center for Photography and was awarded the inaugural Glasscock School Teaching Prize. An art gallery at the Glasscock School was created and named in his honor in 2014. He is a founding member of Houston Center for Photography, where he serves on the Advisory Council, and has served on the Art Board of FotoFest and the Hirsch Library Board at the MFAH. He is currently a member of the Advisory Board for the Glasscock School. November 3, 2008 was declared ”Peter Brown Day” by the mayor of Houston in recognition of his service to the arts.