Paul-Émile RiouxTriptych Turquoise - Underwater World in Nuances of Blue - Abstract Seascapes2022
2022
About the Item
- Creator:Paul-Émile Rioux (1953, Canadian)
- Creation Year:2022
- Dimensions:Height: 48 in (121.92 cm)Width: 144 in (365.76 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU13614014822
Paul-Émile Rioux
Paul-Émile Rioux creates evocative digital art that pulls the viewer into an uncanny world and provides a haunting reflection of reality. His virtual color photography and landscape photography pieces reveal their synthesized nature only upon close inspection.
Rioux is based in Montréal, Canada, where he studied animation at Concordia University. In the early 1990s, he established a career in photography with a focus on urban environments. At the same time, he was developing an interest in 3D software. Eventually, the virtual world overtook the real one as his main passion.
Rioux combines his photography with cutting-edge technology to create the virtual matrices from which his images are born. He eschews more popular image manipulation technologies, such as Photoshop, in favor of numerous digital techniques and 3D software. Each technology is like a different paintbrush that helps Rioux generate the final image, which is the result of algorithmic possibilities captured in a cut of virtual space and time.
Rioux’s new media work offers a tense glimpse of a dystopic world populated by infinite skyscrapers. It encourages one to pause and reflect on the future and the environment.
Whitehot Magazine advises the viewer to “think of one of Rioux’s works as the template for a truly engulfing experience.” Though the worlds he brings to life exist only digitally, they represent a meeting of reality and imagination.
Rioux’s work was exhibited at the 2021 Cube Art Fair in New York City.
On 1stDibs, find a collection of Paul-Émile Rioux’s digital art.
- ShippingRetrieving quote...Ships From: Seattle, WA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Renaissance - Revival 12By Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Renaissance - Revival 14By Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Renaissance - Revival 15By Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Renaissance - Revival 17By Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Renaissance - Revival 16By Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Renaissance - Revival 18By Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Dreams City - Ltd EdBy Dinesh BoazLocated in New York, NYNYC. Shot from a helicopter. Mounted on plexiglass. Floats in white frame. About the Artist Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our ...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment, Plexiglass
- Summer BreezeBy Antoine RoseLocated in New York, NYBy hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...Category
2010s Contemporary Landscape Photography
MaterialsPlexiglass, Acrylic Polymer, Archival Paper, Photographic Paper, Digital...
- La MadragueBy Antoine RoseLocated in New York, NYBy hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...Category
2010s Contemporary Landscape Photography
MaterialsPlexiglass, Acrylic Polymer, Archival Paper, Color, Digital, Pigment, Ar...
- Black TuesdayBy Antoine RoseLocated in New York, NYBy hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...Category
2010s Contemporary Landscape Photography
MaterialsPlexiglass, Acrylic Polymer, Archival Paper, Photographic Paper, Color, ...
- Just the Three of UsBy Antoine RoseLocated in New York, NYBy hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...Category
2010s Contemporary Landscape Photography
MaterialsPlexiglass, Acrylic Polymer, Archival Paper, Photographic Paper, Color, ...
- Shade of BluesBy Antoine RoseLocated in New York, NYBy hanging out of a helicopter hovering 300 feet in the air, Antoine Rose uniquely captures the Hamptons from a sharp 90 degree angle. This piece is a snapshot of shared beach activities that features colorful accessories and gorgeous blue-green water as it crashes on the shore. Antoine Rose’s love for the sea led him to become official photographer of the Kitesurfing World Cup in 2002 for several consecutive years. Rose admits, “Shooting from helicopters, all doors removed, 300 feet above earth at 20 knots and getting images that can be printed as large as 120 inches is quite a challenge. What’s difficult is to mix all the tasks in real time: guiding the pilot, having the right lens, being sure the camera settings are setup properly, concentrating on the light, the subject, the framing, discussing with the tower control to get clearance…” Rose continued to travel around the globe from South Africa to Istanbul, converting ordinary scenes into magnificent pieces of art – whether they be the shorelines of Miami and Hampton Beach “Up in the Air” or the mountaintops of Switzerland “Jeux D’Hiver”. In Rose’s most recent collection “Dawn to Dusk,” illuminated cityscapes of the Manhattan skyline are captured beneath darkness. Thus, oblige viewers to a closer look, distinguishing the artist’s pictorial subject from its aerial veneer; brilliant skyscrapers manifest embellished microchips against an unlit backdrop. keywords: beach, human, bird-eye view, sky, new york city, interior design, decoration, city view, snow, ski, up in the air, helicopter, blue, white, brown, yellow, colorful, vacation. Aerial photography...Category
2010s Contemporary Landscape Photography
MaterialsAcrylic Polymer, Plexiglass, Archival Paper, Photographic Paper, Digital...