Fernando Bayona

Out of the Blue: "The Dinner".

2019

Fernando Bayona, Once Upon a Time: "Piel de Asno". Fine Art Inkjet Print Sizes: S: 25.6 x 20.8 in. / Ed. 3 M: 41.7 x 33 in. / Ed. 3 L: 53.1 x 41.7 in. / Ed. 2 + 1A.P "The narrat...

Fernando Bayona, Out of the Blue: "At Home". Fine Art Inkjet Print Sizes: S: 25.6 x 20.8 in. / Ed. 3 M: 41.7 x 33 in. / Ed. 3 L: 53.1 x 41.7 in. / Ed. 2 + 1A.P In out of the blu...

Fernando Bayona, Once Upon a Time: "Bicephalous". Fine Art Inkjet Print Sizes: S: 25.6 x 20.8 in. / Ed. 3 M: 41.7 x 33 in. / Ed. 3 L: 53.1 x 41.7 in. / Ed. 2 + 1A.P "The narrati...

Fernando Bayona, Circus Christi: "Crucifixión". Fine Art Inkjet Print Sizes: S: 25.6 x 20.8 in. / Ed. 3 M: 41.7 x 33 in. / Ed. 3 L: 53.1 x 41.7 in. / Ed. 2 + 1A.P "Circus Christi is based on the question: What would happen if Jesus was born on the periphery of any major metropolis in the last three decades and was a rock band lead singer? The result is a group of images that visually reconfigures the usual viacrucis in an imaginary full of social problems around sexual ambiguity, drugs, sex, violence and music. Beyond the apparent provocation, Bayona's atmospheres are inspired by traditional scenes inscribed in the history of art, whose synchronic representation and symbolism disputes the social constructions around "sin" and "temptation" while rejecting all kinds of censorship and advocating for freedom of worship...

Fernando Bayona, The Life of the Other: "The Client" Fine Art Inkjet Print Sizes: S: 25.6 x 20.8 in. / Ed. 3 M: 41.7 x 33 in. / Ed. 3 L: 53.1 x 41.7 in. / Ed. 2 + 1A.P In The Life of the Other Fernando Bayona mixes staged and documentary photography techniques to create a collective portrait of images in which the sleaze of violence, pain, madness, jealousy and sexual desire are intertwined with the vulnerability of love, tenderness, passion or beauty. The appearances that arise from this series focus on the ability to generate intrinsic, albeit partial, narratives that come from real stories and interviews with sex workers...

Fernando Bayona, The Life of the Others: "The News" Fine Art Inkjet Print Sizes: S: 25.6 x 20.8 in. / Ed. 3 M: 41.7 x 33 in. / Ed. 3 L: 53.1 x 41.7 in. / Ed. 2 + 1A.P In The Life of the Other Fernando Bayona mixes staged and documentary photography techniques to create a collective portrait of images in which the sleaze of violence, pain, madness, jealousy and sexual desire are intertwined with the vulnerability of love, tenderness, passion or beauty. The appearances that arise from this series focus on the ability to generate intrinsic, albeit partial, narratives that come from real stories and interviews with sex workers...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

9-1-1 by Frank Schott 28 x 39 inches / 74cm x 102cm framed signed edition of 25 archival fine art pigment print artist signed + numbered certificate of authenticity framed "Moder...

Blue Bird by Erik Pawassar 48 x 65 inches (122 x 165cm) edition of 7 signed 30 x 40 inches (76 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by ...

Gravity into the Blue - Signed limited edition archival pigment print, 2021 - Edition of 5 Indian Ocean 2021 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted) : 35 x 52.5 cm / 13,77 x 20,47 in. - Edition of 5 60 x 90 cm / 23,62 x 35,43 in - Edition of 5 Olivier Borde...

Signed and titled in black ink on print verso. Patty Carroll is an American photographer who has taught and practiced photography since the 1970’s. Her photography is characterized ...

Signed and titled in black ink on print verso. Patty Carroll is an American photographer who has taught and practiced photography since the 1970’s. Her photography is characterized ...