Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Tina Modotti
Tina Modotti Photograph of a Painting by Manuel Rodriguez Lozano

ca. 1920a

About the Item

A 1920s Tina Modotti photograph of a painting by Manuel Rodriguez Lozano. Archivally matted to 16" x 20". Tina Modotti was born in Udine, Italy in 1896 and by the age of 14 she was supporting her entire family by working in a local silk factory. Modotti’s father emigrated to San Francisco, sending for his family in 1913. Modotti was hired in the sewing room at the I. Magnin department store, but her great beauty attracted the attention of her superiors who then employed her to model the store’s fashions. In 1915, Modotti attended San Francisco’s Pan-Pacific Exposition, where she got her first look at Modern art and photography. She also met her first husband at the Exposition, painter and poet Roubaix de l’Abrie Richey. At this time Modotti began acting in local Italian theatre and was discovered by a talent scout for the new silent film industry in Hollywood. She arrived in Los Angeles in 1918 and was cast in “The Tiger’s Coat” and “I Can Explain”. Through her Hollywood connections, Modotti met the married photographer Edward Weston, with whom she began an affair. Modotti was a favorite subject of Weston’s photographs, but moreover he taught her the art of photography. She actually ran Weston’s studio in exchange for photography lessons. Due to the on-going affair between Modotti and Weston, Modotti’s husband moved to Mexico where he died of smallpox. This tragedy and the death of her father made Modotti dissatisfied with Hollywood. Modotti and Weston arrived in Mexico in 1923 at a time when the country was in the midst of a social, political and cultural revolution. She photographed the Mexican revolutionary culture and these are among her best known works. Modotti became friends with Diego Rivera and other artists, writers and radicals within his circle and was greatly influenced by their Communist ideologies. Rivera, Clemente Orozco and other muralists asked her to photograph their works. The photographs in this collection are from these series. Modotti’s fascination with Communism drove she and Weston apart and they separated in 1926. In 1928 Modotti began living with a Cuban revolutionary in-exile, Julio Antonio Mella. Just a few months into their relationship, Modotti was at Mella’s side when he was gunned-down on a Mexico City street by his political opponents. The Mexican government tried to implicate Modotti in Mella’s death and although she was acquitted, her reputation was ruined. Mella’s death and the subsequent trial pushed Modotti further into a revolutionary Communist zeal. Modotti became preoccupied with producing revolutionary art and in 1929 opened her first solo show called the “First Revolutionary Photography Exhibit”. The secret police kept watch over her house and in 1930 she was arrested an deported to Europe. On the boat to Europe she became re-acquainted with a Soviet agent, Vittorio Vidali who wanted her to accompany him to Moscow. She instead decided to go to Berlin, but her six months in Berlin proved unhappy and she eventually joined Vidali in Moscow. Once in Moscow, she realized that her photography did not comply with Stalin’s concept of “revolutionary” art, so she gave up photography completely and devoted herself to combating fascism by working for International Red Aid. Modotti basically became a spy and entered fascist controlled countries undercover to assist families of political prisoners. In 1940, she quietly retuned to Mexico and was living under the name Dr. Carmen Sanchez. By 1941, she began to contact some old friends such as Clemente Orozco and was attempting to purchase a camera to once again begin her photography. Unfortunately, her life ended as dramatically as it began On the way home from a dinner party on the night of January 6, 1942, 46 year old Modotti died of a heart attack in the back seat of a Mexico City taxicab. Though it has never been proven, it is said that due to her covert activities, she was poisoned by the Russians.
  • Creator:
    Tina Modotti (1896-1942, Italian)
  • Creation Year:
    ca. 1920a
  • Dimensions:
    Height: 6.75 in (17.15 cm)Width: 9.38 in (23.83 cm)
  • More Editions & Sizes:
    Archivally matted to 16" x 20"Price: $2,500
  • Medium:
  • Period:
  • Condition:
    See Photos.
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    Seller: #15901stDibs: LU2591214286732
More From This SellerView All
  • 1920s Silver Gelatin Print by Tina Modotti, of Diego Rivera Mural
    By Tina Modotti
    Located in Chicago, IL
    An original 1920s silver gelatin print by photographer Tina Modotti, showing a fresco, "The Spirit of Fire", in the Agricultural School-Chapingo, Mexico by artist Diego Rivera. Phot...
    Category

    1920s Black and White Photography

    Materials

    Silver Gelatin

  • 1920's Silver Gelatin Print By Tina Modotti of Diego Rivera Fresco.
    By Tina Modotti
    Located in Chicago, IL
    An original 1920s silver gelatin print by photographer Tina Modotti of the Diego Rivera mural "Lightning Striking Down the Destructive forces in Society Mother Nature, Harmony Betwe...
    Category

    1920s Realist Black and White Photography

    Materials

    Silver Gelatin

  • 1920s Silver Gelatin Print by Tina Modotti of a Drawing by Clemente Orozco
    By Tina Modotti
    Located in Chicago, IL
    An original 1920s silver gelatin print by photographer Tina Modotti, showing a drawing of soldiers and families by Clemente Orozco. Photo is stamped “Photographs-Tina Modotti Mexico...
    Category

    1920s Realist Black and White Photography

    Materials

    Silver Gelatin

  • A Tina Modotti photograph of a Diego Rivera Mural
    By Tina Modotti
    Located in Chicago, IL
    A 1920s Tina Modotti photograph of a Diego Rivera mural, depicting the Agricultural School in Chapingo, Mexico. Stamped “Photographs-Tina Modotti Mexico, D.F.” on reverse. Tina Mod...
    Category

    1920s Modern Black and White Photography

    Materials

    Silver Gelatin

  • 1920s Silver Gelatin Print by Tina Modotti of Clemente Orozco Fresco
    By Tina Modotti
    Located in Chicago, IL
    An original 1920s silver gelatin print by photographer Tina Modotti, showing a detail of an image of St. Francis in a fresco in a prep school in Mexico City by Clemente Orozco. Ar...
    Category

    1920s Realist Black and White Photography

    Materials

    Silver Gelatin

  • 1920s Silver Gelatin Print by Tina Modotti of a Diego Rivera Fresco
    By Tina Modotti
    Located in Chicago, IL
    An original 1920s silver gelatin print by photographer Tina Modotti, showing a Diego Rivera fresco in the Secretariat of Education in Mexico City, Mexico. Photo is stamped “Photogra...
    Category

    1920s Realist Black and White Photography

    Materials

    Silver Gelatin

You May Also Like
  • 'Derby Spectator' Limited Edition Oversize Silver Gelatin Print
    Located in London, GB
    Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 20 x 24" p...
    Category

    1920s Modern Figurative Photography

    Materials

    Silver Gelatin

  • Autumn Storm, Las Trampas, Near Penasco, New Mexico, 1958
    By Ansel Adams
    Located in Santa Fe, NM
    Ansel Adams, Autumn Storm, Las Trampas, Near Penasco, New Mexico, 1958. Printed 1981. Gelatin silver print. Southwest landscape photography. Signed on mount recto by the artist.
    Category

    Mid-20th Century Black and White Photography

    Materials

    Silver Gelatin

  • Jean-Michel Basquiat photograph by Nick Taylor of Gray
    By Nicholas Taylor
    Located in NEW YORK, NY
    Jean Michel Basquiat photograph 1979; This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Silver Gelatin Print. 1979. 11 x 14 inches. Hand singed and numbered in the margins from an edition of 5 A/P's. Good to very good overall vintage condition, with the exception of some minor surface waving commensurate with medium. Provenance: Obtained directly from artist. Lot 180 Gallery New York is a primary dealer rep of Nicholas Taylor. Whilst Basquiat often provided glimpses into his conflicted character through his own art, Taylor’s photograph offers an intimate, and perhaps more honest, portrait from the outside. The clever exploration of light and dark reveals the dichotomies that divided the artist; both his fragile and playful, tender and brazen sides are unveiled. A soft glow is cast across Basquiat’s face, communicating a tenderness and affection that only a close friend could capture. About Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the seminal No Wave band “Gray” and live together in the East Village, before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Taylor has been directly referenced in at least two works by Basquiat and is responsible for first introducing the artist to Madonna before the two dated. Taylor's photographs of Basquiat were recently exhibited at London's Barbican and Frankfurt's Schirn Kunsthalle as part of the landmark Basquiat: Boom for Real exhibition; with Gray (Michael Holman & Nick Taylor...
    Category

    1980s Contemporary Figurative Photography

    Materials

    Silver Gelatin

  • Charlie Watts
    By Andy Warhol
    Located in Santa Monica, CA
    This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number and initialed Tim ...
    Category

    Late 20th Century Pop Art Black and White Photography

    Materials

    Silver Gelatin

  • New York City (broken mirror)
    By Helen Levitt
    Located in New York, NY
    14 x 10 inch gelatin silver print, initialed "H.L." on verso. From the James Agee Family Collection. Helen Levitt was a true master of the street, one whose poetic vision, humor, an...
    Category

    1940s Modern Black and White Photography

    Materials

    Silver Gelatin

  • New York (three kids with masks)
    By Helen Levitt
    Located in New York, NY
    8 1/8 x 11 inch gelatin silver print, printed later. Titled and dated by the artist on verso as "N.Y. circa 1942." Helen Levitt was a true master of the street, one whose poetic vis...
    Category

    1940s Black and White Photography

    Materials

    Silver Gelatin

Recently Viewed

View All