Olha Stepanian

"Trio 2" Photography 31" x 31" inch Edition of 7 by Olha Stepanian

2022

"Shadow" Photography 29.5" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Ava...

"Equilibrium" Photography 24" x 24" inch Edition 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

"Spring" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Avail...

"Shadow" Photography 39" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availa...

"Look at Me" Photography 31" x 31" inch Edition of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Av...

"Look at Me" Photography 39" x 39" inch Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Av...

Tree - Signed limited edition archival pigment print - Edition of 5 South West France , 2015 Monochrome Art Print This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes ( Image size , the white margin is not counted): 23 x 52 cm / 9,05 x 20,74" - Edition of 5 34 x 75 cm / 13,38 x 29,53" - Edition of 5 54x 120 cm / 21,26 x 47,24" - Edition of 5 Geoff Halpin...

MIKE + MECHANICS - Signed limited edition archival pigment print - Edition of 5 Record cover for Mike + The Mechanics 'Living Years’ 1988 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes ( Image size , the white margin is not counted) : 45 x 40 cm / 18,89 x 15,75 in. - Edition of 5 70 x 63 cm / 27,56 x 24,80 in. - Edition of 5 90 x 100 cm / 35,43 x 39,37 in. - Edition of 5 Geoff Halpin...

Christian - Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

Ariane - Signed limited edition archival pigment print - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free an...

Hot fan - Signed limited edition archival pigment print - Edition of 5 Record cover for 'Hot Little Mamma' , London 1981 This image was captured on film. The negative was scan...

This digital print is part of a limited edition set. Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously pouring over all things photographic, technical and creative alike, with unstoppable enthusiasm. Steve’s passion for taking photographs was ignited early on, during a study-abroad trip to Paris, where he immersed himself in all things art historical. Diligence, a strong trait Schlackman is known for, paid off, and after daily meanderings at the Louvre, a great love for art emerged along with hundreds of photographs. These pictures proved to be early tributes to the urban landscape, and although they didn’t amount to full-on series, a seed was planted. The omnipresent tension between the poor neighborhoods of the Cuban capital, as a result of political dictatorship, and the rich Afro-Cuban cultural roots of their inhabitants, whose wealth is represented by their music and feelings, is physically visible in Steve’s use of high contrast, a metaphoric touch on the subject of the light and darkness of the Afro-Cuban heritage. Although intentionally apolitical, the pictures speak volumes about the Cuban status quo and, appropriately, the eternal joy of living despite socio-political hardship. Play, in and of itself a mode to survive the harsh reality, represents another subject Steve is keen on capturing. Whether it is adults playing dominoes...