Ion Zupcu

Large Number of Hopes print by Ion Zupcu. Edition 4 of 15

2007

Black and white photograph. Gelatin silver print of rolled paper. Framed under glass in black frame. Framed dimensions: 23 3/4 x 23 3/4 inches. Image dimensions: 15 x 15 inches.

Framed photograph of Martin Barre of Jethro Tull's blue PRS guitar taken by Lisa S. Johnson for her book, "108 Rock Star Guitars." Previously displayed in ...

"Eddie Van Halen Frankenstrat Guitar" framed photograph by Lisa S. Preston taken for her book "108 Rock Star Guitars." "Photo by Lisa S. Johnson" print...

Original photo of a Rick Savage Def Leppard guitar taken by Lisa S. Johnson for her book, "108 Rock Star Guitars." "Rick Savage Def Lepard" printed on lower left front margin. "Photo...

"Steve Miller 'Gretsch Guitar'" framed color photograph by Lisa S. Preston taken for her book "108 Rock Star Guitars." Image size: 18 x 23 1/4 inches. This photograph was previously ...

Original photo of "Hendrix at Woodstock" Jimi Hendrix guitar taken by Lisa S. Johnson for her book, "108 Rock Star Guitars." "Hendrix at Woodstock"...

Thomas Brummett has been working as an artist and professional photographer since 1983 when he graduated with a Master of Fine Arts from the Cranbrook Academy of Art. His work has be...

“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” --George Tice GEORGE TICE was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self taught photographer. Two years later, when his picture of an alleyway was commended by a pro photographer critiquing club members' work, Tice was off and running with what would become his life’s work.. Tice studied commercial photography for a short time at Newark Vocational and Technical High School then decided to join the Navy. After, he worked as a traveling portrait photographer for almost 10 years. In 1959, Edward Steichen, then director of photography at MOMA acquired Tice's photo of an explosion aboard the USS Wasp for the museum. Later he aided Lee Witkin in establishing the seminal Witkin Gallery in NYC. His work was included in the opening group show in 1969 and the first of many solo shows there began the following April. George’s change to larger format cameras in the 60’s furthered his ability to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began explore his native NJ and began to document the vestiges of American culture on the verge of extinction, the work he is best known for. Whether it is the rural people who reside in small communities or suburban buildings and neighborhoods in decline, his great talent is finding deep meaning and emotional content in the most mundane subjects. In 1972, Tice was the subject of a one-man show at the Metropolitan Museum of Art. A fellow of the Guggenheim Foundation and the National Endowment for the Arts, George Tice’s work is included in more than 80 major museum collections including the Museum of Modern Art (MoMA) in New York and the J. Paul Getty Museum in Los Angeles, as well as countless private collections. Some of his iconic New Jersey images form the scenic backdrop...

A pair of gold toned silver gelatin prints of butterflies. The prints are 5.5 x 6.5 inches each and framed as a diptych with 8 ply museum mattboard. Framed dimension are 12.5x18 inc...

Gelatin silver print (Edition of 20) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City.

Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As an authorized Get...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...