Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Gesi Schilling
Picnic Key, Picnic Key, Everglades National Park, FL

2015

About the Item

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn, a reference to the subject’s name, broadly illustrates the relationship between individual and environment while specifically capturing a Cuban American woman’s relationship to the Florida Everglades, a world heritage site and the largest wetland on earth. Shooting through the intense and wild conditions inherent to the setting, Schilling creates a magical, dreamlike world that captures the untamed spirit of both the Everglades and Finn, who was introduced to the Everglades in flight from Cuba to the United States for the first time. The exhibition brings together Schilling’s portrait, figurative, and landscape photography. For the series, she used a vintage Yashica twin-lens reflex (TLR) camera and 120 film, creating vivid, crisp, and colorful images. Vibrant greens and blues, pervasive in the aquatic landscape, saturate the work. Including a few images in black and white, Schilling cites Henri Cartier-Bresson and Robert Capa among her inspirations. In the invitation piece “Gator Hook,” Finn’s reflection cuts clearly through soft disturbances in the water’s surface, which mirrors the giant expanse of blue sky surrounded by blooming cypress trees. Wiry, untamed branches frame either side of her body. Her face disappears into the water, leaving only the outline of a cowboy hat and a hint of orange sleeve to distinguish her torso from the surrounding nature. In another image “Loop Road” depicts Finn leaning backward into the sunrise. The sun glows through dark palm fronds, suffusing the image with warmth and enveloping her in yellow sky. The series was inspired, in part, by Michael Grunwald’s The Swamp: The Everglades, Florida, and the Politics of Paradise, which chronicles the destruction and posits the possible resurrection of the Everglades. Schilling manages to weigh the balance among newness, discovery, and optimism with the precariousness and uncertainty of nature and the threat of loss without slipping into the pedantic mode that too often accompanies an immigrant narrative, or falling prey to a conservationist’s zeal. A Miami native, Schilling (b. 1987) is a self-taught photographer. She began her practice in photojournalism at the Miami Herald with the support and guidance of Patrick Farrell, and the spectrum of her work now includes reportage, portrait, commercial, architecture, and wedding photography. She holds a degree in visual anthropology from the University of Florida, Gainesville. Black and White, Nude, Women, Trees
  • Creator:
    Gesi Schilling (1987, American)
  • Creation Year:
    2015
  • Dimensions:
    Height: 17 in (43.18 cm)Width: 11 in (27.94 cm)
  • More Editions & Sizes:
    11 x 14Price: $1,00016 x 20Price: $1,20020 x 24Price: $1,75030 x 40Price: $2,500
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    Seller: http://robinricegallery.com/currentexhibition/index_three.shtml1stDibs: LU11330282
More From This SellerView All
  • Hand with Leash, California
    Located in Hudson, NY
    Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...
    Category

    21st Century and Contemporary Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper

  • Spring
    By Todd Burris
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 Any framed photographs purchased during the show will be available after May 8th. If the exhibitio...
    Category

    1990s Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper

  • El Illumindo
    By Laurence Salzmann
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
    Category

    21st Century and Contemporary Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper

  • Clubhouse Beach, Bear Island, Big Cypress National Preserve, FL
    By Gesi Schilling
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn...
    Category

    21st Century and Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper

  • Indian Key, Picnic Key, Everglades National Park, FL
    By Gesi Schilling
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
    Category

    21st Century and Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper

  • Big Cypress, Turner River, Big Cypress National Preserve, FL
    By Gesi Schilling
    Located in Hudson, NY
    Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn...
    Category

    21st Century and Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper

You May Also Like
  • Office Party, New York, Limited Ed Black and White Dance Party Photo 1960s
    By Leonard Freed
    Located in New york, NY
    Office Party by Leonard Freed is a 13" x 19" limited-edition photograph. The print 4/5 is signed verso (back of photo) by Brigitte Freed (wife of the phot...
    Category

    1960s Contemporary Black and White Photography

    Materials

    Photographic Film, Archival Ink, Archival Paper, Digital, Archival Pigme...

  • Gondoliere, Canal Grande, Venice, fine art black and white cityscape photography
    By Gerald Berghammer
    Located in Vienna, Vienna
    Black and white fine art cityscape photography. Gondolier in small water canal with beautiful houses in Venice, Italy. Archival pigment ink print, edition of 9. Signed, titled, dated...
    Category

    2010s Contemporary Landscape Photography

    Materials

    Photographic Film, Archival Ink, Archival Paper, Archival Pigment, Black...

  • Concrete - large scale photo of tonal palette texture of Brutalist architecture
    By Frank Schott
    Located in San Francisco, CA
    Concrete (2014) by Frank Schott, a study of monochromatic details of contemporary urban architecture, urban textures and tonal color palettes 27 x 40 inches / 68cm x 102cm signed ed...
    Category

    21st Century and Contemporary Contemporary Black and White Photography

    Materials

    Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

  • "Endurance", contemporary, abandoned, black, white, church, photograph
    By Rebecca Skinner
    Located in Natick, MA
    Rebecca Skinner’s “Endurance” is a 24 x 16 inch black and white photograph of an abandoned church in Gary, Indiana. With satin finish, the image is infused directly into metal making...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Metal

  • "Escape", contemporary, abandoned, black, white, fence, interior, photograph
    By Rebecca Skinner
    Located in Natick, MA
    Rebecca Skinner’s “Escape” is a 24 x 16 inch black and white print of protective fencing around a stairwell at an abandoned hospital. With satin finish, the image is infused directly...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Metal

  • FILLE DE REVE
    By Reka Nyari
    Located in New York, NY
    Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
    Category

    2010s Contemporary Black and White Photography

    Materials

    Plexiglass, Archival Ink, Archival Paper, Black and White, Digital, Pigm...

Recently Viewed

View All