Jasjyot Singh Hans

SCHEMING

2019

This piece titled "Bornholm" is an original artwork made from acrylic on canvas by KC Ortiz. This piece measures 38.5"h x 27.5"w. Born in Chicago, and currently residing in Copenhag...

"Surrounded By Fuzzy Friends" is a piece by Akira Gordon made from acrylic and oil on canvas. This piece measures 48"h x 60"w unframed. Akira hopes to give black people images that...

This black and white figurative painting titled "BANGS" is an original acrylic on canvas painting measuring 60"h x 48"w by Jasjyot...

This figurative black and white painting titled "INWARD" is an original acrylic on canvas painting by Jasjyot Singh Hans measuring 60"h x 48"w. Jasjyot Singh Hans is an illustrator ...

"Come Out and Play" is an original piece by Qiaira Riley made from acrylic paint on found wood. This piece measures measures 24"h x 14"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

"Hyde Park" is an original artwork by Qiaira Riley made from acrylic and paper on found wood. This piece measures measures 17"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

The Dutch multidisciplinary artist, Ger Doornink, specialises in painting, illustration and photography. Time spent living in Tokyo, Milan and currently Amsterdam, has heavily influe...

America Martin "The Tennis Player" Oil & Acrylic on Canvas 72.5" x 72" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from...

Beata Cedrzyńska graduated with a diploma from the Gdańsk Academy of Fine Arts Department of Painting and Graphics in 1999. The advisor of her diploma was professor Teresa Miszkin. S...

Acrylic paint on canvas Signed on the back Zahra ZEINALI was born in 1975 in Tehran, Iran. From 2001 to 2004, she studied Fine arts at the Art and Architecture University in Tehran. At the same time, she taught visual arts to children during 15 years. Passionate about photography, she trained in photography in 2007 at the House of Photography in Tehran. In 2012, she moved to France. Confronted with her new life, her vision of the world changed. Since 2020, she has resumed training in photography at the EFET School in Paris. Zahra ZEINALI The Doll’s House “What can a true artistic temperament aspire to after a youth spent in Iran today? To flee the hassles, prejudices, restrictions, to open wide a window of freedom rich in potentialities that were believed for a long time inaccessible. Zahra Zeinali became a visual arts teacher for fifteen years. Her pupils are 6 to 12 years old. Drawing, sculpture, painting, model design, she taught them a great diversity of techniques, but above all to think and design freely by themselves, in an atmosphere of joyful creative disorder which, surprisingly, is tolerated by a careful hierarchy. Then she studied four years at the University of Art and Architecture in Tehran. When she arrived in France, after a brief abstract period inspired by the rhythms of nature, it was at the time of the Charlie Hebdo and Bataclan attacks, which marked her deeply, to the point of lastingly darkening the ideal of emancipation and autonomy that she had projected on her stay in Paris. "There is no paradise on earth" she concluded with a melancholy smile. An old doll, bought for 1 euro in a storage room, triggers a click in her. The bitter imprint left by the Iranian confinement, the memory of her fifteen years of teaching visual arts to children, the loneliness of her Parisian exile, all this sentimental nebula found a plastic metaphor in the image of the doll. This is what these delicate earthenware faces evoke, often abused, abandoned, the childish innocence of their ingenuous gazes, a sort of strange absence from the world of the living, as if their attenuated life took place behind the mystery of a theater curtain...