Sarah Alexander

"Heave-Ho", contemporary, botanical, orange, sepia, watercolor, ink, drawing

2017

Sarah Alexander's 22 x 30 inch drawing "Brainstorm" is a weightless contemporary pen and ink drawing of floating disc-like shapes that resemble magnifying lenses. The crisp lines of ...

Sarah Alexander's "Turbulence", a dramatic abstract 30 x 40 inch watercolor, ink, and charcoal drawing on watercolor canvas explores movement and weightlessness with creamy yellows, ...

Sarah Alexander’s “In Flux” is a 54 x 44 x 1.5-inch painting created with watercolor, charcoal, and pen and ink drawn onto a specially treated watercolor canvas. Rich washes of brigh...

Sarah Alexander's "When the Storm is Over" is a rich watercolor on canvas with accents of genuine white gold, watercolor made from crushed semi-precious stones, and India ink careful...

Sarah Alexander's "Lost in Thought" is a 54 x 44 x 1.5 inch botanically inspired India ink drawing on canvas with real gold leaf accents, and watercolor paint made from crushed semi ...

"Current" By Sarah Alexander is a 36 x 24 x 1.5 inch swirling abstract watercolor on canvas in a palette of turquoise, white, and soft browns. Part of Alexa...

Introducing "Memory Incubator" by Rafael Melendez - A Captivating Fusion of Artistic Styles and Symbolism Step into the mesmerizing realm of "Memory Incubator," a thought-provoking ...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

From an ongoing series that began with an "ink dispersal" on wet paper, I have continued to evolve technique and imagery over the years.

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...