Michela De Vito

Wagon with Neapolitans - Gouache by Michela De Vito - 19th Century

19th Century

Portrait is an original Gouache on paper realized by Geo Morin in 1940. Good conditions. Hand signed and dated lower right.

The Cat and the Mouse is an original drawing in gauche by an anonymous artist of the late 20th Century. Sheet dimension: 24 x 31 cm. Passepartout included: 34 x 49 cm Good condit...

Female Figures is an original artwork, pastel, gouache on paper. Is not signed and dated but we can attribute the period early 20th Century. Two female figures under an intimate vi...

The Catch is an original artwork, gouache, tempera and watercolor realized by Celestin Deshayes (1817 -1896) . Hand signed on the lower right. Is not dated but we can attribute the p...

The Great Picador is a Gouache on Paper realized by Hermann Paul. Monogrammed on the lower left corner. Good condition. René Georges Hermann-Paul (27 December 1864 – 23 June 1940)...

Landscape is a Gouache on paper realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition, included a white cardboard passpartout (54x37.5 cm). Hand-signed by the ...

William Gropper Original Gouache on Paper Hand signed lower right 33.5 x 27.5 image 26 x 20.5 The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original watercolor drawing is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...

Late 20th Century watercolour on paper of a naked female figure before an open window. Signed bottom right but as yet not deciphered. Presented in carved, white painted wood frame. ...

Signed lower right, "Julio Castillo" and painted circa 1960. A substantial, mid-century figural watercolor showing a boy playing the flute and a girl watching with rapt attention.

Signed lower right, 'Stuart Miller' (American, 20th Century) and painted circa 1965.

To see our other Modern British Art and works by the architect Louis Osman, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Louis Osman FRIBA (1914-1996) Christmas Card, Byford Court, 1985 22 x 31cm Gouache and ink on paper This characterful card was sent by Louis Osman and his wife Dilys, whom he had married in 1940. Written and painted in 1985, it features an ink sketch and gouache painting of the porch entrance to Byford Court, with handwritten notes about the house's significance. Osman moved to Byford Court in 1976, following a brief brush with bankruptcy. Osman attended the Bartlett School of Architecture and the Slade School of Art, and became a Donaldson Medallist of RIBA in 1935. In the late 1930s he took part in the British Museum and British School of Archaeology expeditions to Syria. After war service he worked in London designing buildings, furniture, tapestries, and glass including work in Westminster Abbey, Lincoln, Ely, Exeter and Lichfield Cathedrals. He also did work for the National Trust at Staunton Harold Church in Ashby de la Zouch. Before moving to Byford Court, Osman and his wife lived at Canons Ashby House in Northamptonshire. Whilst there, they made the crown used at the investiture of Charles, Prince of Wales. In 1976, they also made the gold enamelled casket holding the Magna Carta...

Suzanne LALIQUE Musketeer Costume Original Carbon Pencil And Gouache Drawing Signed with the stamp of atelier on the back On vellum 31.5 x 24 cm (c. 12 x 9.4 in) Excellent condit...